Wireless Wrong Stage Mics

NikolasR

Member
I ordered some floor microphones from BH photo from Shure. I didn't check the size and turns out they are conference table microphones, even though they were advertised for theatres. I plan to have them at the front of the stage for boosting actors without a body pack. I tested them and they work all right, but not much range, should I just send them back or keep them and possibly order a few big ones. I can see our theatre using them for putting on small desks, will it be worth it as it is 200 dollars per mic.
 
I ordered some floor microphones from BH photo from Shure. I didn't check the size and turns out they are conference table microphones, even though they were advertised for theatres. I plan to have them at the front of the stage for boosting actors without a body pack. I tested them and they work all right, but not much range, should I just send them back or keep them and possibly order a few big ones. I can see our theatre using them for putting on small desks, will it be worth it as it is 200 dollars per mic.
If they're installed flat on the deck, sans any layers of carpet or padding between them and the deck, the deck will effectively extend the boundary so I doubt you'd notice much real difference between the sizes.
Toodleoo!
Ron Hebbard.
 
What's the model? In my experience floor microphones rarely do enough to justify their use in amplifying actors. By nature they're set far downstage so they're potentially closer to your speaker field so there's always a fun time ringing them out. And even then it's going to be hard to get enough gain before feedback to help out an actor that's not projecting.
 
Putting mics above the floor will cause a bunch of comb filtering, which makes for hollow, un-natural sound. If you want mics in that location, use boundary mics, which are designed for that purpose. As SB says, boundary mics are less than ideal, although they have their uses.
 
Putting mics above the floor will cause a bunch of comb filtering, which makes for hollow, un-natural sound. If you want mics in that location, use boundary mics, which are designed for that purpose. As SB says, boundary mics are less than ideal, although they have their uses.
That's what we got, boundary mics. We just tested them again, they work amazing and are able to pickup sound from all the back of the stage. Best 1,000 dollars our theatre ever spent :) Thank you guys.
 

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