My platform system

Wow incredible shop to work in especially for a community theater. Looks as well equipped as a proper scene shop. On the 4' side are you using ?1x and only sway braces on the 4' ends of the 4x8? Might do double that in adding to counter sway brace to the toggles dependent on lenth of run or amount of action. This at least for the end of platform run toggles. Or perhaps use a whaler "L" shape or t-shaped sway brace for the end of platform run sway brace. unless 2x4.

Used framing like this in the past, seems like you have a much larger and better shop in doing so than I ever did. Nice setup and construction.

You are there, but get some books like "Scenery for the Theater" , "Professional Scenery Construction", there is a book on engineering for the theater, I have an early version and not in my book notes seemingly for title. Will try to find it as useful texts especially if modern version.

Wow trip thru many years ago, these days it's all aluminum trussed platforms locked together and structural leg systems what goes out on tours. Come a long way since the above mentioned carpet padding and Dutchman and nailed often without good glue platforms, and hammered in legs I learned in the 80's. As with clout nails for soft flat framing.
 
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Wow incredible shop to work in especially for a community theater. Looks as well equipped as a proper scene shop. On the 4' side are you using ?1x and only sway braces on the 4' ends of the 4x8? Might do double that in adding to counter sway brace to the toggles dependent on lenth of run or amount of action. This at least for the end of platform run toggles. Or perhaps use a whaler "L" shape or t-shaped sway brace for the end of platform run sway brace. unless 2x4.

Used framing like this in the past, seems like you have a much larger and better shop in doing so than I ever did. Nice setup and construction.

You are there, but get some books like "Scenery for the Theater" , "Professional Scenery Construction", there is a book on engineering for the theater, I have an early version and not in my book notes seemingly for title. Will try to find it as useful texts especially if modern version.

Wow trip thru many years ago, these days it's all aluminum trussed platforms locked together and structural leg systems what goes out on tours. Come a long way since the above mentioned carpet padding and Dutchman and nailed often without good glue platforms, and hammered in legs I learned in the 80's. As with clout nails for soft flat framing.

Thanks, ship, it is a nice place to work in. We have a good size scene shop, prop room, and costume storage, but no theater of our own. We rely on local schools and other venues. When I started volunteering, our scene shop was not very functional because it was filled with a decade's worth of stuff. The first set I built I was constantly moving old stuff around to make room to work. We did a couple of purges since then and I spent my semester break this December making it functional: organizing the hardware and tools, building workbench space for outfeed table/assembly table, etc.

For the platforms, there is a counter diagonal brace in the center of each platform running on the 4' side per gafftaper's design, and all the diagonal braces alternate. This show has a small cast, mostly children, and no dancing. Our show run is one weekend.

Thanks for the book suggestions; I'll look out for them. I do have the engineering book "Structural Design for the Stage" which I am slowly working through. Also "Stock Scenery Construction Handbook" and "The Stagecraft Handbook" are helpful.

Thanks for the reply!
 
That's great what you "No Guts no glory" did, It looks like a great shop from what is seen.

Purging is hard because one year or the next it might be needed. One year my shop purgerd all of it's PAR 64 cans given the S-4 PAR development... and had to buy hundreds more months later. Pulled retired beam projectors out of an employee's attic from the Bob Segar "Fade to black" 1970's tour for use on tours 30+ years later during a beam projector very popular period of time in LD design. Frequently run into that problem, but on the other hand you often get space to re-create it better - even if more work to re-create the same thing. Lots of scenery storage space for future stuff. I have no idea of where "Audrie II and III wound up I once owned. Granted 20 years later what for scenery might have worked again might not be useful for a future production. A system of storage useful in your sense / inventory and that of who you can borrow from or rent to = a good thing in network.

Not having a home theater to work in is hard, but in your situation seems to work out. Steppenwolf Theater Chicago worked that way when I was doing stuff, and built a good large name for themselves. Believe after years of separate scene shop, they got a theater, or got one and continued use of separate scene shop. Been a few years and never worked for them.

Keep the reading going.
 
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That's great what you "No Guts no glory" did, It looks like a great shop from what is seen.

Purging is hard because one year or the next it might be needed. One year my shop purgerd all of it's PAR 64 cans given the S-4 PAR development... and had to buy hundreds more months later. Pulled retired beam projectors out of an employee's attic from the Bob Segar "Fade to black" 1970's tour for use on tours 30+ years later during a beam projector very popular period of time in LD design. Frequently run into that problem, but on the other hand you often get space to re-create it better - even if more work to re-create the same thing. Lots of scenery storage space for future stuff. I have no idea of where "Audrie II and III wound up I once owned. Granted 20 years later what for scenery might have worked again might not be useful for a future production. A system of storage useful in your sense / inventory and that of who you can borrow from or rent to = a good thing in network.

Not having a home theater to work in is hard, but in your situation seems to work out. Steppenwolf Theater Chicago worked that way when I was doing stuff, and built a good large name for themselves. Believe after years of separate scene shop, they got a theater, or got one and continued use of separate scene shop. Been a few years and never worked for them.

Keep the reading going.
Luckily with the purge had help from founding member of the theater and they were of the mind that we'd had stuff way too long that we "might" use someday. The problem is getting to the point where you buy and make things you already have because you can't find them or get to them. Our supply of casters was about 50% more than we thought; I kept finding them buried in boxes. Oh, and we're all set on wagon wheels for the foreseeable future.
 

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