Thanks for the reply, but I'm not sure that I fully get it. If the 55 min. fadedown is
Cue 2, are you saying to record cues 3, 4, 5, and 6 as JUST the light going on and off per
cue? Wouldn't that affect the fadedown? Am I or am I NOT inputting the other area lights (and with what intensities) in each of the following on/off lightswitch cues?
Thanks again. I hope I 'get it' .
@ecpn and
@tdrga I'm
NOT an
ETC programmer: That said; I've decades of
Strand programming behind me. I believe what
@tdrga is telling you is: Record your lengthy
fade down
cue. Then record your light
switch cues (with their zero or 0.1
cue times .) Assuming your
console is recording in what
Strand would
call "
tracking" mode; channels with no instructions will "
track" through unchanged: If they were fixed at a recorded
level they'd remain there unchanged. If they were fading down in a previously recorded time-line, they'd continue fading down on their time-line. Likewise, if they were previously recorded to
fade up on a pre-recorded time-line they'd likewise continue to do so.
Here's one of the important parts to wrap your head around: There is an important distinction between commanding a
channel's
level to change to a
level of zero versus NOT recording any levels for a given
channel (or group of channels) [ Zero instructions is / are different than instructing a channel to a level of zero] Within any
cue; channels with nary a change specified WILL continue to follow whatever commands they were last given. Think of this as
LTP (Last Takes Precedence)
Clear as mud, right? Welcome to the joys of
tracking consoles.
Tracking consoles are perhaps easiest to understand when recording all cues in sequential order. If / when you need to insert a
cue within a previously recorded sequence: Welcome to the joys of the "
Cue Only" command / key /
button.
Got it? If you prefer: Record a few experimental cues with
cue numbers far higher than you'd normally use; 500 through 510 for example. Experiment until you've got the hang of it then you can always delete your experimental cues with no loss /
effect on your
current production.
I'll
butt out and crawl back into my cave.
Toodleoo!
Ron Hebbard