Hello from far Northern California!
So glad to have found this forum. I'm a Theatre Director and Musician (retired HS Science teacher) responsible for an entire theatre remodel with only nominal experience in tech. Excited about the remodel but sometimes baffled at the challenges of merging...
TL;DR: When Line-by-line mixing, what is your personal threshold/ratio for rehearsal time to the amount of mic cues you miss?
Eviscerate me for being complain-y if you will, but I'm feeling pretty down about this. I'm the house tech, currently the SE for a 2 week run of a community...
I'm working with a decent inventory (~30+) of Sennheiser MKE-2's this summer, however the company has lost most all of the original caps for the elements. I'd like to have caps as it is an outdoor production and I want all the "sweat-out" protection and wind suppression I can get before...
I'm looking for your favorite mic stands, and why? Who makes them, how much, where to get them, tripods/solid?. I need to buy a few more, and I have had Onstage, and a couple of other makers, but I wanted to get your input on what you like.
Thank you all!!
I wanted to get your thoughts on the most efficient way of setting up for a band in terms of keeping cables and inputs organized. Currently, the way I like to do it is label each cable a number on each end. This isn't necessarily the input channel (but if it is, great). But, this...
I'm interested in purchasing two shotgun mics to place on either side of our proscenium arch to aid in picking up the ensemble in high school productions hosted at my facility. Any specific suggestions?
Thanks in advance!