side light

I'm having an OCD situation and need advice on how to solve or overcome it. I'm using a rep plot that was designed by a well-known local designer and it has some pretty dense side lighting on the onstage electrics. It's not Broadway-level dense, but 90 instruments (five separate systems across...

Hi all! I'm noodling this question for my own theaters: What would my ideal side lighting position be? And how do I make the position as simple to access, hang, circuit, and focus as possible? A little background on the question in itself: I work for a university meaning the level of skilled...