LALALALALA I'M NOT LISTENING!Yeah just want to throw out that your paint and costume color choices are really more important than your lighting when doing black and white. It's one of those times where you really have to have good design unity through all aspects of production or the whole thing falls apart. The tiniest detail on a costume will throw it off. Lighting plays a much smaller roll than you might expect.
Through many mergers and buyouts, Theatre Crafts and Lighting Dimensions are now merged into the publication known as Live Design. For more information, see this collaborative article: http://www.controlbooth.com/forums/collaborative-articles/7856-industry-periodicals.html.
Yes, just a couple weeks ago there was a film noir topic I would suggest you run a search for.Black and white in design has been studied in depth in the past here.
Yick. But, yeah, the idea's right there, I mean, isn't the spectrum output curve on one of those essentially one big spike at pi$$ yellow or something like that?