Rod Reilly
Active Member
Just joined. I asked a new client last night where he got my name, and he told me Control Booth. Figured I had better check things out.
Our goal is to meet the needs of the wireless microphone users in theatre/theater with mic elements, transmitter belts, production hangers, antenna systems (bodymics.com) and rentals (www.bodymics.rentals).
As a number of posters have said we are pretty easy to deal with, with have a range of products from $49 to $99. They all sound good - many pros have been unable to pick ours against major brand names in blind tests in real theatre situations. They suffer the same problems as Countryman, dpa, Shure, AT etc - the thin cables we use a super susceptible to abuse.
As has been said many times on this board
Our goal is to meet the needs of the wireless microphone users in theatre/theater with mic elements, transmitter belts, production hangers, antenna systems (bodymics.com) and rentals (www.bodymics.rentals).
As a number of posters have said we are pretty easy to deal with, with have a range of products from $49 to $99. They all sound good - many pros have been unable to pick ours against major brand names in blind tests in real theatre situations. They suffer the same problems as Countryman, dpa, Shure, AT etc - the thin cables we use a super susceptible to abuse.
As has been said many times on this board
- don't wrap cables around the bodypack transmitter
- use transmitter belts to prevent (minimize) the number of dropped transmitters still connected to mics still connected to actors
- watch for kinking near the connector
- make sure there is enough slack in the cable to allow full head motion without tugging on the cable
- don't catch the cables in zipper or other closures
- keep cables away from sharp implements
