Yup,
Martin Atomic 3000 strobes. They have a full-on
blinder effect that is very impressive, but it does have a
bit of a fall-off if you keep it on for very long. Also if you use conventionals the
preheat comment is a good
point.
I think these might be your best option. Get a them in, turn them on full, let them go until they
drop off a
bit, and then you can have them start dropping into
strobe pops to keep the "blinding"
effect going but make it even more flashy. Complement with N/C
PAR 64s that come up at the same time if you want to keep the
effect going for more than a few seconds. The strobes will
blind the audience right good, and the PARs will keep the punch up until you want it to go. I have also seen those 3000s in
blinder mode, and it is probably exactly what your looking for. If you have a
bit of
haze in the air (which would make sense, what with a musical and all), the
effect will be even better for the audience, provided that there is at least 1 light pointing at each
bit of the
auditorium. If you have them all focused right, you probably wont be able to see the
stage at all.
Now, another option might be the VLX. 20 of them around the procenium of
American Idiot was reported to have a "searingly bright" white
effect. Also, they can
strobe faster than you can process, and jump between colors at the same rate (based on what I read in LSA about the show), so that might make for a cool
effect.
All these solutions aside, I have started to become an advocate of
conventional instruments. Having watched a pile of old school concert footage, I think we might have lost some of the amazingness that they used to do in exchange for piles of moving lights and other tech (not to say thats not cool, but nothing beats the feeling of raw
power when a 40' long
truss full of OW
PAR 64 VNSPs jumps to full through the band). If money is an issue, pre-heated 1k
PAR 64s will do you very well. Another thing that might work well for you is
ETC PAR EAs. I have had excellent success with these as blinders, and they
fade up fast. Yet another
conventional option is to use MR-16 striplights. We have 12 of the L&E 3
cell x 750 W units, and those things pop to full fast (so much that I use them when we have dance events to do colored
strobe effects). If you want to make sure no one can see the
stage and everyone on it can see the audience (which I recall being mentioned as a spec of I want to say Slipknot at some
point), these buggers will do you well.
Wire them up so each strip is a
circuit, Take out all the color, and
line the
cyc and main
portal with them. Focus so when standing on
stage you can see the entire
house well. Blinding flash of light very fast. You can also set the dimming curve on these guys so that its instant on, and that might help a
bit.
Hope this helped some.