David Johnson
Member
Our group is putting on a WWI play set on the slopes of Gallipoli, and I am looking at the lighting and I was wondering what approaches people might us. I am considering for the main daylight acts to just use a tungsten to daylight colour correction on one of the lights with a light amber in the shadows (The harsh white light reflected off the group). Mainly because of my memory of standing in hot temps near the turkish coast was of a very hard blue/white light. A suggested approach of using a light amber as the main warm light to represent a warm sunny day does not seem right in my head as I would like the light to be harsh, rather than a nice sunny day.
Sitting in a room with the rain coming down past the window is not helping the thought pattern much.
Any suggestions or does this look like completely the wrong approach
Many thanks
Dave
Sitting in a room with the rain coming down past the window is not helping the thought pattern much.
Any suggestions or does this look like completely the wrong approach
Many thanks
Dave
