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ETC element fader wing

Discussion in 'Lighting and Electrics' started by BC Theatre Guy, Feb 17, 2017 at 1:01 AM.

  1. BC Theatre Guy

    BC Theatre Guy New Member

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    Recently disappointed to discover that ETC element is not compatible with ETC fader wings. I can't imagine there could be another option but thought I would ask. I know about the virtual faders but a fader bank would have helped hugely. We have outgrown our ETC Element 40 which was purchased before I arrived.
     
  2. sk8rsdad

    sk8rsdad Well-Known Member Premium Member Fight Leukemia

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    I guess ETC figured 40 physical faders ought to be enough for anybody. :)

    It ought to be possible to network with an Element client and attach a fader wing to the client, but that seems like an expensive option. It may be time to revisit your workflow. Have you exhausted all 300 subs and/or 120 channels that can be mapped to the 40 faders? Are you familiar with the {Page Subs} softkey?
     
  3. Dionysus

    Dionysus Well-Known Member

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    You used all 40 submasters, I can see that depending on your uses. I can't say I've EVER used 40 submasters while using the element. Yeah ETC never thought anyone who would be using an element would need more than 60 faders, most would never use 40. Most shows I do on the element have usually between 2 and 10 submasters, and mostly cues. Shows I busk in that venue I usually need between 5 and 30 subs.

    I imagine if as sk8rsdad suggested you look at your workflow you can either pair down submasters or put submasters you need at particular times onto different pages. With 300 subs I very much doubt you will ever run out.

    Are you mostly busking (live, not with recorded cues) with the console? Are you using effects on submaster faders (why manually flip though 2, or 4 subs to create an effect when it can do it for you)? Are you using mostly intelligent fixtures or conventional lights?
     
  4. MRW Lights

    MRW Lights Member

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    I was going to say the same as above and add that your use of the phrase "outgrown the console" in this case is kind of counter intuitive. In the sense that your next logical step in that family would be an ION, it inherently comes without faders. Even an EOS, Cobalt or GIO would have less physical faders in comparison to the element. I have a 1x20 Fader Wing on my ION... more often than not it has 3-4 programmed faders... House Lights, Work Lights, Haze Inhibitor and Conventional Inhibitor (Old School version of Highlight). I've come to lovingly call my inhibitor my cool down fader. I use it these days mostly for breaks and long winded notes so that I can drop to LEDs only and not roast everyone and I like to pretend that I'm saving lamp life.
     
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  5. BC Theatre Guy

    BC Theatre Guy New Member

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    We do a large variety of types of shows, many of them without a lot of prep time and technical rehearsal. Color and effects (like those you would see in a nightclub) have become a popular part of our shows. So having physical submasters with an effect ready to go permanently is extremely convenient. I could easily fill 60 right now. I use recorded cues for plays and musicals but without proper rehearsal they aren't practical. Moving the submasters as Dionysus suggests looks like the best solution. Thanks for the input everyone.
     
  6. Dionysus

    Dionysus Well-Known Member

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    Yeah I'd take a look at your needs sit down and play with making submasters on different pages, and of course look at options making Magic Sheets. I think that a lot of what you want to do you can achieve with magic sheets and/or direct selects in conjunction with your submasters. There are a LOT of really useful things you can do with Magic Sheets, worth playing with.
     

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