I was raised on a PBS version of what was probably a original Broadway production of Camelot during the 1970's. It as a
play made a big impact upon my life in having recorded it on the Bata Max and watched it almost weekly for years. I’m sure it’s still a movie for rent given the big stars in it. Just as an idea but not to specifically copy.
As I remember it’s production - before any thoughts of set design, I remember a slight
platform dividing the lower from upstage area and perhaps some scenery that was probably tracked instead of flown.
While you have not expressed what type of theater you have, it’s known that you have at least 15' off each
wing for free space. Why not horizontally
track your scenery by way of support above and platforms and
tracking below? This somewhat classic
wing and
drop production type of show theorized dependant upon the director’s intent for his or her production still, you have the option of doing a
wing and
drop classic show by way of horizontally moving sets instead of vertically mounted ones. Lots of lighting needed for the more important scenes but still you than have lots of scene change ability for general locations.
If nothing else when no
tracking or hardware available, a soft or had
flat when in a lumber
track will slide. Just a question than of enough tracks for the scenes needed and some extra time in making magic of what was flats and plats plus lots of
props and time spent in making it become the worlds you wish to portray.
Haze and
smoke of course as with gobos and lights at times.
No magic, just push the even net supported scenery flats into place and put the
props on the set, just lots of design and temperament plus talent in making the world for the show become a
stage.
Perhaps before you get too far you might
call around to local schools and theaters in seeing what they have which might even if needed to be supported by way of horizontal framework from you, what can be found to borrow. Perhaps even a
scrim and better yet someone else’s scenery and
props in general.
No fly
system, no problem. First get your design and looks under the belt and agreed upon by way of the director. Once you know what specifically you want, present the specific problem in achieving such as the forest by way of say linear
tracking it to others in how to construct.
Concept is first just design what you wish to see on
stage. That’s what the TD and or others in supplement are there afterwards in figuring out how to achieve your look.