The Express allows designated channels to be set to HTP.
One on-the-fly technique I used on the Express was to Inhibit sub the intensity channels, as well as setting certain parameters of motion - pan/tilt speed, speed on gobo rotation, etc... at full on in pre-defined cue playbacks. I would then record these channels to inhibit subs, do a blind dialing up of the rough value, run the cue/effect, then adding intensity and refining speed to the music. It's possible to get fairly quick at it, though running the conventionals on the remaining subs keeps you fairly busy. Emphasis helps here as it allows subs to run subroutines, which makes the subs essentially multiple effect playbacks.
SB
One on-the-fly technique I used on the Express was to Inhibit sub the intensity channels, as well as setting certain parameters of motion - pan/tilt speed, speed on gobo rotation, etc... at full on in pre-defined cue playbacks. I would then record these channels to inhibit subs, do a blind dialing up of the rough value, run the cue/effect, then adding intensity and refining speed to the music. It's possible to get fairly quick at it, though running the conventionals on the remaining subs keeps you fairly busy. Emphasis helps here as it allows subs to run subroutines, which makes the subs essentially multiple effect playbacks.
SB