Discussed refab. a lot on the forum, might do a search into SF-2 and FEP though the 200c version of FEP seems just as substantial in use. SF-2 is available as both silicone and Teflon and fiberglass braided outer
jacket on it and not. I prefer the fiberglass outer
jacket but in all instances it is not necessary.
On the fiberglass sleeving, normally a 5/16" size #0 trade size is what you would want. This fiberglass (make sure it’s not nylon sleeving) and the heat
wire - don’t use TGGT for
fixture whips, you can get such stuff from a quality electrical supply
house by way of special order, any theater supplier or a cable distributer. This plus McMaster Carr of course.
As said, these topics have been discussed in length on this forum in the past, might do a search. While not specific to ovalites or scoops more likely (box like or rounded) same concepts. High temperature ring terminals to attach to the lamp sockets, examination of the lamp sockets, fiberglass electrical tape over the
crimp part of the
ring terminal, silicone bronze external tooth lock washers on the screw, replace the screws
etc. this after re-surfacing the lamp
socket and or replacing it. All in addition to if E-39
Mogul Screw type lamp
socket, you have a choice of sockets with SF-2 whips already attached or with screw terminals for replacement whips.
Leviton, Buhl, Wurth, Eagle and others - quite a few other suppliers of the
socket including Ushio I believe.
Lots of details in working on old fixtures.
Looking for that
adaptor myself, perhaps you do have Ovalites. Research into my solution with my own ovalite in the past for pipe mounting it. There is a
base up hanging position for it you need to respect. My own bracket for hanging warped a wee
bit in not being structured correctly but it was a quickie. For doing the stand
adaptor, I would weld a 1" to 1.1/4" pipe
adaptor to a
Unistrut L’ plate.
On paint, probably a
ceramic white on the inside. On seen anything like them, there is some photos of my Ovalite on this website.
Wooden bodied
stage pin, do you mean actual
stage pin instead of pin and sleeve style most
call stage pin these days? Is that a wooden body with two plates at a drastic angle or wooden body with spring loaded plates? Would help to tell the age of the plugs.
Grounding near the lamp
socket is normally better if on a slide or focus plate, otherwise normal near the cable
grip. Might want to avoid grounding to the
socket’s mounting screw due to the nature of expansion and contraction plus proper tension and
porcelain this is dealing with. Best off in grounding with it’s own hole and screw.
Alternating current don’t have a + or -. ON screw
base or
pre-focus base sockets you always make the “hot” the center contact and the
screw shell the
neutral /
grounding conductor. Reason being should you change your lamp while the
fixture is live, touching the
screw shell of your lamp while doing so would
shock you. Mog screw lamps are available in various wattages but the screw
adaptor is a good idea for lamping it down under 300w.
On the un-stamped one, unless a name plate tag/sticker that has either fallen off or has warn off it’s probably older. Early on makers of stamped steel gear didn’t
mark it. When cleaning you should be able to see if there is a sticker be it IA or maker somewhere on the
fixture. Don’t think
Altman ever made an Ovalite though they might have. If un-stamped overall and or without markings, possible it’s older. Lots of details - see Fuchs “
Stage Lighting.” Been discussed before on the forum in me trying to figure out the age of my own Ovalite.
For
incandescent lamp in the
fixture if used at home, I would probably go with the E-39 to E-26
adaptor and get a “Nestolgic” antique ‘
Edison’ lamp from a supplier like Bulbrite or others - look on the web for the above description for reproduction old style lamps. Such lamps have really cool shapes to the
bulb and very interesting filaments. This or go to a supplier like Nelson Lamps for a
LED bulb - a string of
LED lamps in series suspended inside the glass
bulb. Otherwise Osram has a
LED color changing lamp on the market that takes a normal E-26
base. Granted this lamp would be lost within the huge ovalite.
Remember to balance how much you refinish, verses how much you do to it in not keeping the antique’s essence. Would say a
clear coat in keeping the age but preventing rust for instance not be another solution amongst a world of other things that could be done. Not a new
fixture, why make it that?