I did technical theater in HS. I even acted once or twice (though I found that I had more fun on the dark side, so I did that more, not even auditioning). Anyhow, I never saw myself working in theater as a profession, I just had fun doing it. There were times that I enjoyed it less, but I had always put my whole self into making the magic, which is what made it "fun". My senior year, when ironically I was most involved, was the year that I was least interested in production. Part of the spark left with some of my upper classmate friends. Part was due to the lack of challenge. I stepped back a
bit, but didn't quit. More than 20 years later, unitentionally, I am still working in the field.
You have a challenge which seems to frustrate you to the
point of losing interest. What we do is magic. The directors,
stage managers, performers, and audience don't understand what we do and how we do it. They also don't understand the limitations with what we can do. It is our duty to keep it magical and give them something that comes close to what they want. This is where we have to figure it out, no matter how frustrating or seemingly impossible it may seem.
Since I am pretty old school, let me give you an example. Working on a two scene
preset console, it was difficult to get fast lighting changes (especially when some of the other theaters had those new fangled computerized consoles). What we ended up doing was, obviously, writing down all of the levels (for every
channel) so that we could recreate the look every night. But if we had to make fast changes, it was impossible to read those sheets and set the levels in a short amount of time needed for dance or musicals. So, we would take posterboard, cut it to the length of the
console, set the faders to the position we needed, then cut the poster board to fit just below those faders. That way, you would have snapshots of all your cues and you could do the fancy cues normally prohibited by the type of
console we had. That wasn't something that was told to us, but a way we figured to use what we had to create what was asked of us.
On a larger
level, look at many threads on this forum in the way we figure out how to do what is asked of us when we don't have the budget of Broadway. There are
projector dousers made from old computer CD drives. There are tons of set building solutions. It often just takes some imagination and sometimes brainstorming with others to make the magic. Don't be discouraged by not being able to create the same
effect seen on GLEE, but accept the challenge on how to make just as cool of an
effect with what you do have.
The community will help.