Ship knowing? Wolf would know more than I about what venu's use now, Ron if he is still out there would know more than any of us I expect.
I don’t do shows anymore.
Of the gear I use or have used, no sub-panel or switch has ever had a seperate ground from the system persay, (grounding rod at the sub-panel) it's all been home run to the main and frequently a actual grounding conductor instead of or in addition to the mechanical ground on this home run for any gear that I care about. Different disconnects are just sub panels, they still have to share a equipment bond with the main panel. A ground wire for general equipment and an Iso ground for the sound gear is not a bad thing to do but probably not needed along with the necessity of a grounding rod at the sub panel/disconnect.
From my understanding of a true ISO ground, given a sub panel powering up an area, the Iso ground equipment is a grounding wire run which bypasses the sub-panel and goes directly to the Main. It must travel directly thru the same conduit as the conductors also - cannot be seperated from them. You should only do this type of run when specifically for gear requiring or benefiting from this home run of the isolated grounding electrode. Reason being voltage drop in resistance unless adiquately sized for maximum overload amongst other code type details. I have never done this and would not recommend doing this without a electrician approving of it. For most instances, running a grounding wire to the sub panel is adiquate.
Bridging Disconnects??? Can be a normal thing to do, can be very dangerous, depends upon what the term is used to describe.
I do know that with each monitor kit we send out there is a UPS, there is also normally a back up light board and just about always above that a back up system that will automatically switch between boards if not run selected saved cues all by itself on it's own battery. This is for some very high profile and higher budget shows however. In a theater there are other automatic switching systems and emergency gear rules which might or might not be configured to run the sound and a limited amount of the lighting system in the case of an emergency power outage. In this way the PA system is part of the show's sound system and it's operator gets the people out. Same with selective lighting circuits in some places.
At one theater I was at using a Strand III for the primary board and a Q-File for the backup board, the Strand was on the main power to the FOH, the Q-File was on the emergency lighting power, the stage was on it's own power. Three seperate transformers feeding the old school house and building. Three phase Delta, Wye and three wire single phase. They also did some connecting of the exit lighting in some areas not covered by that emergency circuit by way of a tap before the main breaker on the school's lighting circuit so I'm not attesting to this place getting a gold star given equipment installed before the main. Could be done and safe as long as it had it's own overcurrent protection but probably not.
I don't do shows anymore just fix stuff however. I do know that if you are having a lot of resistance to ground adding extra grounding rods especially in the area will partially solve this problem and is infrequently done for some shows when there is a long span between source and load, but the neutral still needs to go to the main panel and should not attach at a sub panel even if it has it's own ground for the home run. The sub panel's ground still also has to make that home run also. This grounding rod is only used to help not work on it's own.
I also know that a dedicated grounding conductor (not ISO ground above) as opposed to a mechanical ground (the conduit itself) is superior in conducting electrical current and in protecting against interference. Also that sound equipment should have a home run to the source of power at least sub panel if not it's own sub panel without tapping off the lighting power. Between a ground wire to the sub panel, dedicated neutral in one per circuit used for branch circuits sound is run off of, (sharing neutrals in general is a bad thing on house branch circuits) the sound gear is fairly safe and probably does not need a real ISO ground. For multi-phase gear and loading, a balanced load and properly sized neutral if not two of them in parallel is useful for the lighting.
By the way, grounding takes up a heafty section of the NEC. Lots of do's and don't's and I'm not an expert on all the details of it.
EC&M this month had some info about grounding see if you can follow along. Most of it is about the transformer and service drop/main however and outside the discussion: (Second to last paragraph is the most important to this discussion.)
Applications Corner
Code Basics
By Mike Holt
The NEC requires you to ground (earth) system windings to limit the voltage imposed on the system from lightning, unintentional contact with higher-voltage lines, or line surges. When lightning occurs, high voltages drive high current (as much as 40,000A) into the earth for a fraction of a second. Typically, lightning strikes to wiring are directed to outside utility wiring systems. Therefore, grounding (earthing) the system windings will assist the flow of lightning into the earth.
When a ground fault over 600V occurs, the voltage on the other phases can rise significantly for the duration of the fault (typically three to 12 cycles). This voltage surge during the utility ground fault will be transformed into an elevated surge voltage on the secondary -- possibly destroying electrical and electronic equipment. The lower the resistance of the utility grounding (earthing) system, the lower the secondary voltage surge.
Another function of this earthing is to "stabilize the voltage to earth during normal operation" by providing a common reference point. Thus, the NEC also requires you to ground (earth) metal parts of electrical equipment in or on a building or structure. See 250.24(A) for services and 250.32(A) for separate buildings or structures. You accomplish this grounding (earthing) by electrically connecting the building or structure disconnecting means (225.31 or 230.70) -- with a grounding (earthing) electrode conductor [250.64(A)] -- to a grounding (earthing) electrode [250.52, 250.24(A) and 250.32(A)].
However, grounding (earthing) the metal parts of electrical equipment doesn't protect this equipment from lightning-induced voltage transients or those generated by other equipment in the structure. To provide protection from voltage surges, you must engineer a proper surge protection system.
I don’t do shows anymore.
Of the gear I use or have used, no sub-panel or switch has ever had a seperate ground from the system persay, (grounding rod at the sub-panel) it's all been home run to the main and frequently a actual grounding conductor instead of or in addition to the mechanical ground on this home run for any gear that I care about. Different disconnects are just sub panels, they still have to share a equipment bond with the main panel. A ground wire for general equipment and an Iso ground for the sound gear is not a bad thing to do but probably not needed along with the necessity of a grounding rod at the sub panel/disconnect.
From my understanding of a true ISO ground, given a sub panel powering up an area, the Iso ground equipment is a grounding wire run which bypasses the sub-panel and goes directly to the Main. It must travel directly thru the same conduit as the conductors also - cannot be seperated from them. You should only do this type of run when specifically for gear requiring or benefiting from this home run of the isolated grounding electrode. Reason being voltage drop in resistance unless adiquately sized for maximum overload amongst other code type details. I have never done this and would not recommend doing this without a electrician approving of it. For most instances, running a grounding wire to the sub panel is adiquate.
Bridging Disconnects??? Can be a normal thing to do, can be very dangerous, depends upon what the term is used to describe.
I do know that with each monitor kit we send out there is a UPS, there is also normally a back up light board and just about always above that a back up system that will automatically switch between boards if not run selected saved cues all by itself on it's own battery. This is for some very high profile and higher budget shows however. In a theater there are other automatic switching systems and emergency gear rules which might or might not be configured to run the sound and a limited amount of the lighting system in the case of an emergency power outage. In this way the PA system is part of the show's sound system and it's operator gets the people out. Same with selective lighting circuits in some places.
At one theater I was at using a Strand III for the primary board and a Q-File for the backup board, the Strand was on the main power to the FOH, the Q-File was on the emergency lighting power, the stage was on it's own power. Three seperate transformers feeding the old school house and building. Three phase Delta, Wye and three wire single phase. They also did some connecting of the exit lighting in some areas not covered by that emergency circuit by way of a tap before the main breaker on the school's lighting circuit so I'm not attesting to this place getting a gold star given equipment installed before the main. Could be done and safe as long as it had it's own overcurrent protection but probably not.
I don't do shows anymore just fix stuff however. I do know that if you are having a lot of resistance to ground adding extra grounding rods especially in the area will partially solve this problem and is infrequently done for some shows when there is a long span between source and load, but the neutral still needs to go to the main panel and should not attach at a sub panel even if it has it's own ground for the home run. The sub panel's ground still also has to make that home run also. This grounding rod is only used to help not work on it's own.
I also know that a dedicated grounding conductor (not ISO ground above) as opposed to a mechanical ground (the conduit itself) is superior in conducting electrical current and in protecting against interference. Also that sound equipment should have a home run to the source of power at least sub panel if not it's own sub panel without tapping off the lighting power. Between a ground wire to the sub panel, dedicated neutral in one per circuit used for branch circuits sound is run off of, (sharing neutrals in general is a bad thing on house branch circuits) the sound gear is fairly safe and probably does not need a real ISO ground. For multi-phase gear and loading, a balanced load and properly sized neutral if not two of them in parallel is useful for the lighting.
By the way, grounding takes up a heafty section of the NEC. Lots of do's and don't's and I'm not an expert on all the details of it.
EC&M this month had some info about grounding see if you can follow along. Most of it is about the transformer and service drop/main however and outside the discussion: (Second to last paragraph is the most important to this discussion.)
Applications Corner
Code Basics
By Mike Holt
The NEC requires you to ground (earth) system windings to limit the voltage imposed on the system from lightning, unintentional contact with higher-voltage lines, or line surges. When lightning occurs, high voltages drive high current (as much as 40,000A) into the earth for a fraction of a second. Typically, lightning strikes to wiring are directed to outside utility wiring systems. Therefore, grounding (earthing) the system windings will assist the flow of lightning into the earth.
When a ground fault over 600V occurs, the voltage on the other phases can rise significantly for the duration of the fault (typically three to 12 cycles). This voltage surge during the utility ground fault will be transformed into an elevated surge voltage on the secondary -- possibly destroying electrical and electronic equipment. The lower the resistance of the utility grounding (earthing) system, the lower the secondary voltage surge.
Another function of this earthing is to "stabilize the voltage to earth during normal operation" by providing a common reference point. Thus, the NEC also requires you to ground (earth) metal parts of electrical equipment in or on a building or structure. See 250.24(A) for services and 250.32(A) for separate buildings or structures. You accomplish this grounding (earthing) by electrically connecting the building or structure disconnecting means (225.31 or 230.70) -- with a grounding (earthing) electrode conductor [250.64(A)] -- to a grounding (earthing) electrode [250.52, 250.24(A) and 250.32(A)].
However, grounding (earthing) the metal parts of electrical equipment doesn't protect this equipment from lightning-induced voltage transients or those generated by other equipment in the structure. To provide protection from voltage surges, you must engineer a proper surge protection system.