If anyone has advice or similar experiences which may be of assistance, I would greatly appreciate your input.
Some time around May 2013, I was approached by a representative for a small company looking to hire me as an LD/Programmer for a small concert lighting design. After a few repeat interviews/discussions, We agreed upon what services I would supply, and a given rate for each service. I was brought in for a site-survey, a 3D vector works CAD drafting of the Stage, and a programmed Lighting Design for the concert.
In short, the design was not as grand as we had hoped (due to circumstances out of my control, see background below for full explanation), but the show looked good, the audience loved it, and the client was happy. With the two added days of programming, my invoice went up as it was billed hourly, but the company agreed to the extra cost when we agreed to the extra days.
I submitted my invoice during the last week of September 2013. More than 3 months later, I have yet to receive payment for services rendered. I have made numerous calls to the company and my company contact, and left dozens of voicemails. In reply, I have received a number of texts saying something along the lines of "the check will be sent tomorrow" or "i'll take care of it soon" "let me check with the bookeeper," etc. My phone calls have never been answered, nor have they returned any of my calls.
I'm looking for advice on the best course of action to arrange for payment. Its looking like my best option is a NY Small Claims Court. I have records of emails, text messages, I'm trying to get my phone call history as well, all as supporting evidence. There is plenty of documentation of the actual concert as well. Unfortunately, we only had a verbal contract, no actual contract in writing. (I'm not sure on the legality of verbal contracts in NY) Is Small Claims court the best option? Has anyone had success in other ways? Recommendations on the best course of action?
Thanks for your help!
Here is the Background if you are interested:
Some time around May 2013, I was approached by a representative for a small company looking to hire me as an LD/Programmer for a small concert lighting design. After a few repeat interviews/discussions, We agreed upon what services I would supply, and a given rate for each service. I was brought in for a site-survey, a 3D vector works CAD drafting of the Stage, and a programmed Lighting Design for the concert.
In short, the design was not as grand as we had hoped (due to circumstances out of my control, see background below for full explanation), but the show looked good, the audience loved it, and the client was happy. With the two added days of programming, my invoice went up as it was billed hourly, but the company agreed to the extra cost when we agreed to the extra days.
I submitted my invoice during the last week of September 2013. More than 3 months later, I have yet to receive payment for services rendered. I have made numerous calls to the company and my company contact, and left dozens of voicemails. In reply, I have received a number of texts saying something along the lines of "the check will be sent tomorrow" or "i'll take care of it soon" "let me check with the bookeeper," etc. My phone calls have never been answered, nor have they returned any of my calls.
I'm looking for advice on the best course of action to arrange for payment. Its looking like my best option is a NY Small Claims Court. I have records of emails, text messages, I'm trying to get my phone call history as well, all as supporting evidence. There is plenty of documentation of the actual concert as well. Unfortunately, we only had a verbal contract, no actual contract in writing. (I'm not sure on the legality of verbal contracts in NY) Is Small Claims court the best option? Has anyone had success in other ways? Recommendations on the best course of action?
Thanks for your help!
Here is the Background if you are interested:
The venue at which the concert was to be held was under construction when I was brought in for the site survey. The venue assured the company that there would be a fully operational professional grade lighting rig available for use. I brought up the potential challenges this presented (not knowing what the rig consisted of, the positions of the fixtures, etc.) but explained that as long as I had 2-3 days of programming time on a functioning rig, that I could still execute a proper Design. (It was clearly established that at the time of our use of the space, that the rig would be fully operational and ready for use). [DAY 1] When the programming day arrived, I was at the venue at the agreed time, with the company rep who hired me. It turned out that they failed to schedule the venue, and thus we were forced out of the building. The rep and I relocated to a coffee shop, and we compared cue lists, and worked through some offline programming. [DAY 2] I arrived on site to find that the house electrician was not scheduled to be on site, and thus I was unable to work for the first half of the day, until someone (a maintenance man) arrived to fire up the rig, and give me access to the control booth. As the House electrician was not on site, the second half of this day was in work light so that the band could rehearse, as the "maintenance man" only knew how to turn on half of the rig. I managed to patch and channel to my liking, and transfer some offline content onto the house desk. I should note that the "professional grade" rig consists of Chinese knockoffs of Elation fixtures.
In short, of the first two scheduled 10 hour programming days, I did little to no programming (only had about 4 hours behind the desk). The client was well aware for these setbacks, as they were onsite with me for the entire ordeal. It was agreed that I would come in for an additional Two 10 hour days of programming. [One of which days I had to call out of another gig]
[DAY 3] I arrive onsite to once again find that the House Electrician did not show as scheduled. After a few hours of troubleshooting, I discover that the fixture profiles were custom built and in most cases not built properly. It turns out that the House Electrician was also the "Programmer" and had custom built all the fixture profiles, as the fixtures were all knockoffs and did not have profiles available for download. So Day 3 consisted of rebuilding the profiles so that I could actually use the fixtures, and troubleshooting the fixtures which were plagued with manufacturing issues. (I'm talking the cheapest knockoffs you can find in all of China).
[DAY 4] The client and I mutually agreed to break away from the heavy cueing style and go with a more loose busking style for the show, due to the unforeseen setbacks in the programming process. Day 4 was fully utilized building effects and looks, and essentially creating the whole show.
[Day 5] Load-in/performance 1. Day 5 was a 16 hour day, beginning with load-in of risers, video/projection, Video recording gear, and sound check. The client insisted I be on site for all of this, despite the cost as these added hours pushed my day into OT. After a run through, there was a short meal and then the first performance, which went quite well given the circumstances.
[Day 6] Performance 2 - The last day of work, essentially a repeat of Day 5 from sound check through end of performance.
In short, of the first two scheduled 10 hour programming days, I did little to no programming (only had about 4 hours behind the desk). The client was well aware for these setbacks, as they were onsite with me for the entire ordeal. It was agreed that I would come in for an additional Two 10 hour days of programming. [One of which days I had to call out of another gig]
[DAY 3] I arrive onsite to once again find that the House Electrician did not show as scheduled. After a few hours of troubleshooting, I discover that the fixture profiles were custom built and in most cases not built properly. It turns out that the House Electrician was also the "Programmer" and had custom built all the fixture profiles, as the fixtures were all knockoffs and did not have profiles available for download. So Day 3 consisted of rebuilding the profiles so that I could actually use the fixtures, and troubleshooting the fixtures which were plagued with manufacturing issues. (I'm talking the cheapest knockoffs you can find in all of China).
[DAY 4] The client and I mutually agreed to break away from the heavy cueing style and go with a more loose busking style for the show, due to the unforeseen setbacks in the programming process. Day 4 was fully utilized building effects and looks, and essentially creating the whole show.
[Day 5] Load-in/performance 1. Day 5 was a 16 hour day, beginning with load-in of risers, video/projection, Video recording gear, and sound check. The client insisted I be on site for all of this, despite the cost as these added hours pushed my day into OT. After a run through, there was a short meal and then the first performance, which went quite well given the circumstances.
[Day 6] Performance 2 - The last day of work, essentially a repeat of Day 5 from sound check through end of performance.