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So then on sunday i will go ahead and see what all i can pull off, unfortunately the only person that i am aware of that has a soldering iron that is on the team is out of town this weekend so i will call him when he gets back and have him bring the soldering iron. Any tips on it?
 
Okay, here's the scoop straight from the manufacturer. First, the ability to handle varying inputs from mic to line to instrument is handled by the level control being an active gain stage. Second, phantom power is always on for the XLR input. Finally, they have had infrequent problems with pin 1 of the XLR being broken at the circuit board. They recommend trying the 1/4" connection; it is balanced, accepts line level and does not have phantom power. All you would need to try this is a female XLR to male 1/4" TRS adapter, something like this http://www.hosatech.com/hosa/products/gxp-143.html, or a cable with an XLRF on one end and a 1/4" TRS on the other, like this http://www.hosatech.com/hosa/products/cxs_microphone.html.

You may still have grounding issues, but using the 1/4" input would seem to eliminate many of the other variables.
 
Okay, here's the scoop straight from the manufacturer. First, the ability to handle varying inputs from mic to line to instrument is handled by the level control being an active gain stage. Second, phantom power is always on for the XLR input. Finally, they have had infrequent problems with pin 1 of the XLR being broken at the circuit board. They recommend trying the 1/4" connection; it is balanced, accepts line level and does not have phantom power. All you would need to try this is a female XLR to male 1/4" TRS adapter, something like this http://www.hosatech.com/hosa/products/gxp-143.html, or a cable with an XLRF on one end and a 1/4" TRS on the other, like this http://www.hosatech.com/hosa/products/cxs_microphone.html.
You may still have grounding issues, but using the 1/4" input would seem to eliminate many of the other variables.


Well shucks, that is amazing, and thus this is why I love controlbooth.
And the only thing I would ask museav is to give a link for where you got this info because unfortunately my ideas are always questioned
 
No link, I happen to know some people at Galaxy Audio, one for almost 20 years, so I asked them directly about the situation and received the information I shared.
 
Sharyn,

The online specs for the PA5X state for the inputs "One ¼" balanced One XLR balanced, with +24 VDC phantom power" while the Architect and Engineer specs on the product data sheet note "The mixer section shall include one balanced (differential) input using a 1/4-inch phone plug connector and one +24 VDC phantom powered balanced (differential) input using an XLR connector." So the fact that the XLR has phantom power on it seems pretty clearly stated.

Perhaps more relevant, the PA5X User Manual identifies the XLR input as "MIC (XLR) INPUT - Balanced input with 24 VDC phantom power for electret microphones." From that it seems that the XLR input is intended primarily as a mic input.

That being said, I agree that making the phantom power switchable would potentially make the XLR input more useful and better labeling and/or descriptions might avoid confusion, I will pass that observation on.
 
Since people rarely have access to the manual who might be connecting it up at an event, what does it say on the actual speaker itself by the connector?
Sharyn

Well see thats the lucky thing is first off all to my recollection it says nothing and second people ask me questions like that right after I leave church.
 
It looks like the labeling certainly could be clearer, both the 1/4" and XLR are apparently labeled simply as mic/line inputs, which is true but not as complete as it could/should be. If nothing else, labeling that the XLR has 24VDC phantom on it would probably help. I'll definitely pass this on.
 

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