NickVon
Well-Known Member
I'm looking into this solution for a group which uses our space and has 12 Shure SLX Wireless units w/ body packs and the the default "lav/attach" mics (the little square ones)
We started to run into some RF issues when actors are down stage and the chorus or others get between the performer and the wireless rack. The lowest wireless receiver is kept at about 2 feet above stage level back stage behind the Cyc SL. The Futherst distance to an actor is about 35 feet. Some one here did a nice channel listing for best performance and it didn't improve the reliably of the RF. At the moment I have 2 that for what ever reason "persons" between the receiver and antennas seem to make them cut out more often and more predictably.
My fist immediate suggestion is for them to purchase a longer 12 channel snake so that we can get the receiver units like 8 feet in the air Center stage. and put them stacked on top of a my AMP rack and Sub or other structure behind the cyc.
I guess step 2 would be an antenna distro of some some sort which is what i'm turning to you smart folks for.
Price is a concern as they don't like to spend money much at all. At 1500$ is an all inclusive solution even remotely possible with SHURE's all in one do hickies +RF cable +sharkfins? Would something like only 2 boxes or 1 box with passive/combiners splitters work? I'm out of my knowledge base when it comes to figuring out RF distro for a system. I just know how to plug the antennas in and make it work when I get a road system. :-/
the two units I having the period RFdrop out with are
Mic 4 ( H5, 531.750mhz 5,7 (group,Chan)
Mic 5 ( H5, 534.275mhz 1,9 (group,Chan)
Mic 6 ( J3, 577.425mhz 6,3 (group,Chan)
Full equipment is (7) H5 band
(5) J3 band
I re-tuned Mic 4 to something in the 529.00 range and it's been working better.
I adjusted Mic 5 up to the 539.00 range and it is working better but still cuts out when the actor puts his body between the pack the the receivers with others in the way.
Mic 6 general works except for when 2-or more actors get between her and the receivers as well.
Thoughts and potential alternatives welcome.
We started to run into some RF issues when actors are down stage and the chorus or others get between the performer and the wireless rack. The lowest wireless receiver is kept at about 2 feet above stage level back stage behind the Cyc SL. The Futherst distance to an actor is about 35 feet. Some one here did a nice channel listing for best performance and it didn't improve the reliably of the RF. At the moment I have 2 that for what ever reason "persons" between the receiver and antennas seem to make them cut out more often and more predictably.
My fist immediate suggestion is for them to purchase a longer 12 channel snake so that we can get the receiver units like 8 feet in the air Center stage. and put them stacked on top of a my AMP rack and Sub or other structure behind the cyc.
I guess step 2 would be an antenna distro of some some sort which is what i'm turning to you smart folks for.
Price is a concern as they don't like to spend money much at all. At 1500$ is an all inclusive solution even remotely possible with SHURE's all in one do hickies +RF cable +sharkfins? Would something like only 2 boxes or 1 box with passive/combiners splitters work? I'm out of my knowledge base when it comes to figuring out RF distro for a system. I just know how to plug the antennas in and make it work when I get a road system. :-/
the two units I having the period RFdrop out with are
Mic 4 ( H5, 531.750mhz 5,7 (group,Chan)
Mic 5 ( H5, 534.275mhz 1,9 (group,Chan)
Mic 6 ( J3, 577.425mhz 6,3 (group,Chan)
Full equipment is (7) H5 band
(5) J3 band
I re-tuned Mic 4 to something in the 529.00 range and it's been working better.
I adjusted Mic 5 up to the 539.00 range and it is working better but still cuts out when the actor puts his body between the pack the the receivers with others in the way.
Mic 6 general works except for when 2-or more actors get between her and the receivers as well.
Thoughts and potential alternatives welcome.