Heh, ironically I put more conventionals up there than has been done before.
All of those colored dots are Pars, each par on an individual dimmer.
I'm also incorporating tons of conventional blinders (not shown), I have a picture of my plans for those but I'm on a laptop right now so I'll have to post that later.
As far as front light--that's not pictured because just about all of this stuff is back light. I'm using the Studio Colors in the pit to provide front light for the bands/dance acts, and hung lekos to light the skits.
I was considering adding a couple s4s to the rig for specials in case I wanted them, but my dimmer space is severely limited (unbelievably so, I think I have 7 dimmers left after the pars and blinders with which to light the skits) and I figured any specials I needed done could just be achieved with the Mac700s.
For VectorWorks, I've been trying to see if I could get a copy of WYSIWYG, who knows where that will go...in the meantim, I'm stuck oldschooling it.
All of those colored dots are Pars, each par on an individual dimmer.
I'm also incorporating tons of conventional blinders (not shown), I have a picture of my plans for those but I'm on a laptop right now so I'll have to post that later.
As far as front light--that's not pictured because just about all of this stuff is back light. I'm using the Studio Colors in the pit to provide front light for the bands/dance acts, and hung lekos to light the skits.
I was considering adding a couple s4s to the rig for specials in case I wanted them, but my dimmer space is severely limited (unbelievably so, I think I have 7 dimmers left after the pars and blinders with which to light the skits) and I figured any specials I needed done could just be achieved with the Mac700s.
For VectorWorks, I've been trying to see if I could get a copy of WYSIWYG, who knows where that will go...in the meantim, I'm stuck oldschooling it.