At least you don't have to worry about someone thinking it looked tacky. We just use the flashing method. There are only a few theaters in the area, they all flash lights, and our intermissions are so long that people just naturally start going to their seats anyway.... These are ideas I've come up with while dealing in lobbies with HID lighting with a "flash" speed of maybe 20 minutes on a good day.
At least you don't have to worry about someone thinking it looked tacky.
I NEVER flash the house lights. Way too tacky for my blood.
THANK YOU! Finally someone agrees with me! I hate High Schools that Flash house lights.
Yes, I misread what you had said. I agree that flashing house lights isn't a very good choice. Not necessarily because is looks tacky (which it does), but because, and especially in our house, the aisles have three different heights of stairs and with up to about 500+ people trying to find their seats with lights going on and off is not good. I did read that to fast. And, in my personal opinion, since we are a non-profit group, I like having someone there at the start of the show opposed to just a recording. Thats just my opinion.I believe you misinterpreted the subject of my post and Shawncfer's quoted reply. We were referring to flashing auditorium house lights. That IS tacky, and I will stand by that. Lobby lights, while I am not opposed to flashing, I agree with cpf that there are other good ways to get the crowd's attention. Proactive ushers can help out a lot with this. I feel like the transition in to a show should be as seemless as possible. Maybe you guys could look in to running a dedicated line to power a monitor in the lobby that can play some sort of chime or preshow music.
Yes, I misread what you had said. I agree that flashing house lights isn't a very good choice. Not necessarily because is looks tacky (which it does), but because, and especially in our house, the aisles have three different heights of stairs and with up to about 500+ people trying to find their seats with lights going on and off is not good. I did read that to fast. And, in my personal opinion, since we are a non-profit group, I like having someone there at the start of the show opposed to just a recording. Thats just my opinion.
I'm old and decrepit but I was in love with MiniDiscs right up until my mini-stroke robbed me of my vision. I own three Sony's with keyboard inputs and used HHB's 80 minute discs exclusively. I LOVED the "Auto Pause" at the end of each track preventing any of the decks from running into their next cuts. That, combined with "Auto Cue" which would reliably park them at the precise beginning of audio on each track. For most productions I'd run two players with 40 minutes of pre-show on one and 25 minutes of interval plus playout on the second. This normally left me enough time on the two discs to store all of my effects and incidental music for any given production. I moved to Minidiscs from 1/4", 1/2" and 1" open reels. No. I never used an Edison cylinder player for effects; I'm not quite THAT old. I always considered cassettes beneath my dignity, suitable only for 40 minute tracks of background wind, rain or crickets, etcetera. I also loved that I could operate the MiniDisc decks with their timers in count down mode and being able to type titles and notes into their displays on a disc, and per track, basis was also extremely useful.This questions comes up every so often, but one I've always wondered about is what do you all use for playback of said announcements? We use QLab as a media server, but don't keep that laptop in the booth 24/7. We've got a CD player for house music, but I'd love something that could remain in the booth and run stuff consistently, but be easy to alter if need be. I'm wondering if this might be a good fit for a raspberry pi?
Loved MiniDisc and still do (and I'm not old or decrepit!). I used them for the community theatre I was the TD for right up until I quit a couple years ago. I have a full size deck that I would pull from my home system and take to the venue. I also have a portable one that I would hook a mic up to for recording sound effects, like city sounds, gun shots, fireworks, etc. It worked great as a very compact and versatile recording rig. We would tend to record most of our pre-show music ourselves. It was done on a mid 1990's Clavinova that I hooked my MD deck up to. I had fun doing all of that. Sure made things easy. You definitely couldn't do that with CDs. I know they would be obsolete now anyway, much like CDs, but I always wished they would have caught on better since IMHO they were better than CDs. My first car was old enough that it didn't have a CD deck, so I used a cassette adaptor and would plug my portable MDiscman into it. I loved the auto record feature of MD. Connect the MD deck to the CD deck, put the MD in record standby, press play on the CD, and walk away. After the CD was done, you had a MD of the CD with all the track marks automatically inserted.I'm old and decrepit but I was in love with MiniDiscs right up until my mini-stroke robbed me of my vision. I own three Sony's with keyboard inputs and used HHB's 80 minute discs exclusively. I LOVED the "Auto Pause" at the end of each track preventing any of the decks from running into their next cuts. That, combined with "Auto Pause" which would reliably park them at the precise beginning of audio on each track. For most productions I'd run two players with 40 minutes of pre-show on one and 25 minutes of interval plus playout on the second. This normally left me enough time on the two discs to store all of my effects and incidental music for any given production. I moved to Minidiscs from 1/4", 1/2" and 1" open reels. No. I never used an Edison cylinder player for effects; I'm not quite THAT old. I always considered cassettes beneath my dignity, suitable only for 40 minute tracks of background wind, rain or crickets, etcetera. I also loved that I could operate the MiniDisc decks with their timers in count down mode and being able to type titles and notes into their displays on a disc, and per track, basis was also extremely useful.
Toodleoo!
Ron Hebbard.
I ran across this article the other day, possibly from here. But someone took a Raspberry Pi, put it in a rack case, added some buttons and now has a Intermission audio controller. This could be utilized for just about any type of playback needed actually.
http://makezine.com/projects/intermission-light-sound-control-raspberry-pi/
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