PadawanGeek
Active Member
Hey guys. I was wondering what video cameras you all are using. I am currently using just a regular Sony, but I would like to get a Canon XL2. All of the features are great.
Video Cameras
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soundlight
Well-Known Member
My friend has GL2 which he likes, and our campus library here also has GL2's and XL1's for checking out to students to do film projects (after proper training, of course, and with the 'pain of death' style contract which you must sign before checking one out. I'm planning on using a GL2 to film dance concerts this coming school year.
soundman1024
Active Member
The Canon XL1 is a great camera. The stabilizer on its stock lens is absolutely incredible. You could kick the camera and the image wouldn't budge. I haven't really used the XL1s or the XL2, but I would imagine they're great as well.
The Sony VX2100 is alright. I find the optics aren't as good as the image processing system. At the telephoto end (a mild 12x optical) the stabilizer can't keep up no matter how steady you are, and the image never quite looks in focus. I was out filming some football, holding the viewfinder against my cheek with a wide stance and my hands spread as far on the frame as I could have them and I still couldn't quite keep it smooth. It wasn't earthquaking, but it wasn't spectacular.
Those are the only professional level cameras I have experience with.
The Sony VX2100 is alright. I find the optics aren't as good as the image processing system. At the telephoto end (a mild 12x optical) the stabilizer can't keep up no matter how steady you are, and the image never quite looks in focus. I was out filming some football, holding the viewfinder against my cheek with a wide stance and my hands spread as far on the frame as I could have them and I still couldn't quite keep it smooth. It wasn't earthquaking, but it wasn't spectacular.
Those are the only professional level cameras I have experience with.
PadawanGeek
Active Member
I think you can get a used Canon XL2 for that much.
soundman1024
Active Member
I would focus on getting a good low light performer, you can always get a neutral density filter to put on the front of the lens. Doing this you can effectively loose 1-4 stops of light, or more if you stack filters. Do be warned though that stacking filters can cause vignetting, or darker corners.
In my experience Canon's XL1 did a good job in low light, so I imagine the XL2 would as well. These cameras have a lens with a neutral density filter in it already. Turn it on when you're outside in the sun.
In my experience Canon's XL1 did a good job in low light, so I imagine the XL2 would as well. These cameras have a lens with a neutral density filter in it already. Turn it on when you're outside in the sun.
Sounds good. I might look into it, and rent one for a while to try it out before we buy.
astrotechie
Member
I use a Canon GL2. Also in studio work at a local access station, I use JVC Studio Camera. The same camera I have used in robotic purposes. I love the GL2.
PadawanGeek
Active Member
Except for no My cam of choice is the Sony HDW900. However, that is probably out of most people's budget. If the money allows, I would go with the HD format. It's here folks whether we like it or not. Also, if you get a camera with a removable lens, it opens the door to tons of other options. With the right adapter, you can use 16mm or 35mm film lenses and really get a great "film look".
The most popular student camera appears to be the Cannon line of XL cameras. Like the MAC, they have a ton of after market accessories for them.
I wouldn't give too much thought to low light qualities. These usually sacrifice image quality overall for the ability to work in lower light levels. Most of the time, your light levels will be just fine. Besides, since we do not "glow" or give off light naturally, your lighting is THE most important aspect of any good video.
kw
The most popular student camera appears to be the Cannon line of XL cameras. Like the MAC, they have a ton of after market accessories for them.
I wouldn't give too much thought to low light qualities. These usually sacrifice image quality overall for the ability to work in lower light levels. Most of the time, your light levels will be just fine. Besides, since we do not "glow" or give off light naturally, your lighting is THE most important aspect of any good video.
kw
reddawnman
Member
We use panasonic DVX-100s. If you have the B revision you can jam-sync the timecodes together so that multiclipping a 3 cam shoot in FCP is a breeze.
We also have an XL-2 and it works very well. One thing to think about is that most TV / event people seem to like the DVX's for their gamma curves and myriad of white balance settings that can be preset.
Most guys shooting amateur films love the Canon XL-2's because as stated before there are a bunch of aftermarket lenses, et al that allow you full iris control and the ability to rack focus for specialty sorts of shots.
I wish I had 20K to buy a RED one...
We also have an XL-2 and it works very well. One thing to think about is that most TV / event people seem to like the DVX's for their gamma curves and myriad of white balance settings that can be preset.
Most guys shooting amateur films love the Canon XL-2's because as stated before there are a bunch of aftermarket lenses, et al that allow you full iris control and the ability to rack focus for specialty sorts of shots.
I wish I had 20K to buy a RED one...
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