I have no idea. I just saw a D1
system on Soundbroker for around $91k, so I'd imagine they'd be higher.
The one I see there is $96k, is located in the Czech Republic and is apparently 80 analog and 16
AES in and 46 analog and 8
AES out spread across three devices, thus it would seem to need some input and possibly output expansion and would be probably over $100k with that and shipping. They also have a 96x48 Digidesign D-Show
Venue system with all the accessories (cases, monitors, snakes, plug-ins,
etc.) listed for $81,500 and several 'standard' configuration
Yamaha PM5D-RH systems offered for $45k to $60k but those would have to be considerably expanded to get the 96x48 configuration desired.
Of course all of these are used, most on tours, so one issue is how amenable they are to purchasing gear that has been on tour or used for rentals, especially without a chance to actually see it or try it out. Are you buying a
system that has had all the bugs worked out or are you buying someone else's problems? What are you getting in terms of any product warranty and support? What are the sales terms and are they viable?
The DigiCo D1 is a good example of the issue I was noting, it can support up to 224 physical inputs and 224 physical outputs but the actual mixing engine logic normally supports 64 inputs (expandable up to 160) and 48 output buses with 8 of those being dedicated to a 38x8 matrix. So a
system is capable of supporting many more physical inputs and outputs than the logic directly supports. With some other consoles they may support a 96x48 physical configuration but not support that large a
system with the actual mixing and processing logic.