Broadcasting Live Performance is a very large part of my job for a national broadcast
network... You are not restricted to a static
color temperature from the
stage lighting. Period. You may be limited by the technology available to you which typically comes to the table from two sides "video"/"Theater". Video will almost always want it brighter because it's easier and Theater will almost always want it darker because it provides wider range and more emotion. If you have the ability to do a
manual white balance of your cameras and the capability to shade/paint them using a vectorscope and calibrated reference
monitor there is absolutely no need to achieve a static
color temperature or
intensity. 5600k at 100%
intensity sounds like a nice forced AUTO WB
level for a camera.... do you have access to the video side of the information,
switcher and cameras? Chances are, and here's the sales
pitch to your "bosses", balancing the
photometrics correctly for both the eye and the camera should result in a better
image for everyone. Don't force the camera/eye to do the work of the other. Adjust the
image correctly and it will look great for everyone.