falcon said:thats exactly what we have. I like working with it backstage though. It gives me better lighting angles than the C clamps do and its way easier for me to hang since i don't have to balance the light on my arm while i'm tightening the screw
falcon said:our channel mounts are underneath and the bar for the c-clamps is on top holding the channel mount and outlets in place. when i use c-clamps, i have to hold the light perpindicular to the bar just to get in on the pipe, and I can only go to one side it the whole bar kinda tilts back moving the focus of everything downstage. This only gives me limited lighitng possibliites from the bar as I am only able to light anything directly under the bar and anything upstage of the bar. Its like this for all 3 of our backstage electrics since our curtains were all put infront of them. Thats really annoying since they don't move that well and get stuck half way across the track.
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