nlandis
Member
I'm in the process of creating a rep plot for a recently-built black box space that seats roughly 150 and has a stage that is 47' wide (in reality, about 40' of usable space when legs are in place) and 26' deep. The space is equipped with a tension grid system and pipe grid above, so there are lots of available hanging positions (as long as you're careful to avoid the pesky beams that get in the way!). I also have a fairly large inventory of instruments: roughly 60 S4's with barrels ranging from 10º to 50º (about half are 26º, with fewer of the others), 30 S4 PARs with spare lenses from VNSP to WFL, and 12 S4 Fresnels. It needs to accommodate a range of different kinds of events, but most commonly the space is used for classical concerts/recitals, opera scene workshop performances, and the occasional jazz concert or speaker. Full-scale chamber opera productions do go up in the space, but these carry their own designers and wouldn't be covered by the rep plot (though it could serve as a starting point, depending on the production).
My instincts, along with all the reading I've done on this forum (mainly of the few other threads discussing rep plots), are telling me to do something along the lines of the following:
My instincts, along with all the reading I've done on this forum (mainly of the few other threads discussing rep plots), are telling me to do something along the lines of the following:
- Hang frontlight for 10 areas, 5 across x 2 deep, lighting each in a McCandless configuration (typical warm/cool with N/C blue and a light amber). I'm planning to use 26º instruments for this.
- Hang toplight to cover the stage area, either gelled N/C blue or some partial CTB. Currently I'm leaning towards PARs with MFL lenses for this, either 10 (1 for each area) or 15 (adding an extra row u/s to fill in gaps all the way to the u/s wall)
- Hang backlight in 1 or 2 deep colors (dark blue for sure, perhaps magenta as well). I'm leaning toward several PARs with WFL lenses, perhaps 4 instruments on each of the two most u/s electrics.
- Hang sidelight over the stage, perhaps with 36º instruments, in one or two colors (a pale pink or lavender?).
- I expect I'll want some sort of frost in the frontlight, but I've heard conflicting opinions on which frosts are best for this purpose. Any recommendations?
- How should I focus the sidelight? Should I be attempting to hit each area individually from both sides, or are larger sidelight areas okay?
- What color(s) would you suggest for the sidelight (or is no color better)?
- Would I be better off using WFL lenses (and perhaps consequently fewer instruments) rather than MFL for the toplight? Or even ditching the PARs in favor of Fresnels? Or hanging a separate system of Fresnel toplight in some sort of attractive lavender, in addition to the PAR wash?
- Will WFL PAR backlight provide a satisfying level of saturation, or do I need to be supplementing it with pipe ends or moving to a narrower lens?