It's a
bit hard to tell what you're asking because of the atrocious lack of punctuation. Also, I'm having trouble figuring out what the question is.
While I agree with the sentiment ( manders11 - if you want us to comment on your problem, you should really try to state what your are asking clearly. Proofread your post,
etc.) -
I am going to make a different assumption as to the quesiton. It sounds to me like he may be asking ' When picking warm and cool colors, should I pick colors that are very saturated, or tints that are closer together'.
As usual in lighting, the answer is 'it depends'.
If we are talking about some variant on the
McCandless method, your front lights probably want to be fairly close to each other. They want to be hues that
play well together. Remember that while the lights blend at the front on the actors
face, the reflected light from the sides ( say the sides of the actors
face) will mostly be from one color of the other. Unless you want a high color contrast on
stage, you want to keep the colors fairly close.
If on the other
hand, you want to look naturalistic, and have a window on one side of a brown set, and want to light a sunrise, you might use very different colors in your warm/cool to represent the sunlight, and the reflected light from the wall.
If you are lighting a show ( especially if it is one of your first ) give yourself time to make mistakes. Hang the show, look at your color choices, say 'Yuck' and change it. This is how you learn what works.