Recent content by Morpheus

I agree, the control room output is not a good solution- too many other things can get bussed there. It seems like maybe you've got you device picked out- That's fine, you know your situation better than I do. If you like the interface, options, etc, then I'm not gonna tell you to go for...

An Amplifier (or simply Amp) is a device used to increase the strength of a signal.

define "choir mic" and "table top style" mic...those might be worthwhile, if we knew what they were

I think he meant like this... you can;t keep cascading digital stageboxes like you can those mini-snakes...

The point is to record (more or less) what the audience hears... so if the audience only hears a really loud HVAC and PA only... either that's how you want the recording to sound, or you shouldn't even bother mixing for audience and just straight mix for recording.

All I noticed in that movie was that one of the SM57's on the podium wasn't plugged in... there wasn't even an attempt made to cover it, i could see the pin!

...In addition to Brad's comment, I'm going to ask about your listed occupation - are you really a high school student?

If i had to pick a specific recording console, i'd go with this one.But, i think it's well out of your budget, sadly...Now, on to your routing question: Yes, an interface like the M-Audio you mentioned would work fine... I terms of hooking it up to the board, that depends on how you want to...

that's what a good monitor mix is for... if they trust you and the mix, you CAN actually control their level... :twisted:

voted below, but i've been know to label every inch of a board in the recording studio.....

I've used surround speakers quite effectively in theatre applications...

EBTech Swizz Army Doesn;t do 4 pin, and only 5 pin MIDI, but i've used it and it's pretty good.

make sure you reset your gains first!

do you have to 'turn on' the key input?

Well, there are many ways of "connecting" boards together, it all depends on what you want to do...For example, you could route the main outs from board 'A' into a stereo pair on "B" to expand channel count.. You could split the inputs at the stage and send independent signal to each board...