This is a huge battle for me in my world. I would say about 80% of my gigs there is some idiot there to nix the
haze. Typically it's an uneducated fire marshall, but there's a band I work with that just does not like it. No matter how I explain it to them they think that it affects their singing/playing. This band just offered me a spot on tour. But I'm really debating it because how am I supposed to make a decent light show with some not so great
house rigs and no
haze? (There are other reasons why I'm on the fence too.)
But in being challenged with this huge visual handicap I have learned a lot about how to overcome it. First of all, moving lights (spots) lose about 75% of their purpose. I'll still use gobos for projection, but without seeing the beam a narrow spot becomes almost useless for
eye candy. This is where things like
LED strips and
wash units come in very handy. If you can't see the beam of light what's left? Well, there's the
face of the light itself. You can create some cool designs with placement and chases of
LED strips. I've done some stuff where it looks like red rain falling (or make it green and you have a Matrix-like
effect). Then there's the object that the light is illuminating. You can layer gobos on top of a color
wash, even slow scrolling gobos can add some energy to a song.
Then, of course, there are strobes. If I do this tour (it's punk/ska) and bring any gear I will probably
base it around strobes and blinders. I'll do various
moles, 4 light, 6 light, and 8, and create chases and general backlighting.
Whatever you do, DO NOT get into an argument with a fire marshall. They have the final say and the
power to shut the entire event down. Calmly and professionally explain to him how a
hazer works, that it is not
smoke and there's no fire or anything else harmful to people or the environment. The same goes for hotel managers. Remember, you're in their
house, their rules. Good luck and have fun!