If you are going to read with a regular
meter, make sure your dimmers are set to 100% as that is where the waveform is closest to
sinusoidal. As the dimmers are lowered, the waveform will become very distorted and your reading may be far from the truth. Also, keep in mind that on three
phase power, there are
dimmer setting that will actually cause the
current flow on your
neutral conductor to exceed the
current level through any of your three hots. These
current flows, called
triplen harmonics occur at 180 Hz and may not be represented when metering unless you are using a true
RMS meter.
Fundamentals of Harmonics | content content from Electrical Construction & Maintenance (EC&M) Magazine
Metering is the only way go. Our small community theater has 100 x 3ph mains driving three
dimmer packs with face-plate rated at 180 amps (two 120v phases each). Obviously we cannot run them at full
power - but we get the 24 channels, and the dimmers run very cool. However, a lot of training and monitoring is necessary, especially for ‘guest’ lighting designers, on how to balance the dimmers vs the
grid while enforcing a 20%
derating of the
power. Had some over-powered shows with some stressed breakers and popped SCRs. I would sometimes
meter each
feeder with my fluke, but this was cumbersome and not in every techs skill set Finally, we gave up on the math and built and installed a
meter box with 7 digital ammeters with dedicated
CTs - two for each
dimmer phase and one for the
neutral, which, as per many folks in this thread, is fascinating to watch when cross-fading (glad the electrician insisted on over-sizing the
neutral above the feeders). We also added three voltmeters (came in handy several times when there was a
phase drop in our area). Finally, there is a digital thermometer for the main
conduit temperature – also interesting to watch during long single scene programs. Everything is housed in 12" box located in the control booth. Total cost of about $1,000 in parts. As they
plug and test the
grid, a designer/tech can see the loads real time. Note that it still requires a responsible person to check each show out. The head
lighting designer can review an entire program in about two minutes and see the loads at each
queue and enforce the balancing.
Blind without it.