jkowtko
Well-Known Member
What started out as parent volunteer work when the kids were in middle school, has after six years evolved into a paying sound gig. Since my kids are well out of middle school, the music teachers are very interested in keeping me there and repeatedly ask if I want more money. How much should I charge them?
The concert involves choir, orchestra and jazz band. It is conducted in their large gym with fold-out risers on one side to seat maybe 500 or so parents. Two nights of performances ~2-3 hours each night, plus the prior evening equipment setup. I also make a recording for the video guy (also a former Dad who has continued to help out and is now getting paid).
The equipment I bring in:
* 2 SRM450s on stands
* 2 Anchor AN-1000x for center fill and choir monitor
* 16 channel board (currently Mackie DL1608, possibly move to an Xrack32)
* 4 wireless handhelds for emcee mic and vocal and jazz solos
* 16 various condensor mics for area micing, percussion, piano, choir, vocal solos
* 2 snakes to tighten up the cabling a bit.
Like I said, originally I started this for fun, but after our last child left middle school the music teachers immediately asked if I would stick around to continue doing this if paid. As of now I have been charging them $400 per concert (two concerts per year), and $100 of that I give to another dad who has helped me. So my rationale was $200 for equipment rental, and $100 each for labor.
The school wants to pay me more. I told them I am happy to take more money to support my "sound junkie" habit, but I don't really want to be paid more than about half of what a full-price sound gig would charge. Keeping my price low helps the school, and also keeps the pressure low on me to provide flawless audio.
Any suggestions as to what a full-price sound gig would cost for one of these events, and what I should charge them?
Thanks. John
The concert involves choir, orchestra and jazz band. It is conducted in their large gym with fold-out risers on one side to seat maybe 500 or so parents. Two nights of performances ~2-3 hours each night, plus the prior evening equipment setup. I also make a recording for the video guy (also a former Dad who has continued to help out and is now getting paid).
The equipment I bring in:
* 2 SRM450s on stands
* 2 Anchor AN-1000x for center fill and choir monitor
* 16 channel board (currently Mackie DL1608, possibly move to an Xrack32)
* 4 wireless handhelds for emcee mic and vocal and jazz solos
* 16 various condensor mics for area micing, percussion, piano, choir, vocal solos
* 2 snakes to tighten up the cabling a bit.
Like I said, originally I started this for fun, but after our last child left middle school the music teachers immediately asked if I would stick around to continue doing this if paid. As of now I have been charging them $400 per concert (two concerts per year), and $100 of that I give to another dad who has helped me. So my rationale was $200 for equipment rental, and $100 each for labor.
The school wants to pay me more. I told them I am happy to take more money to support my "sound junkie" habit, but I don't really want to be paid more than about half of what a full-price sound gig would charge. Keeping my price low helps the school, and also keeps the pressure low on me to provide flawless audio.
Any suggestions as to what a full-price sound gig would cost for one of these events, and what I should charge them?
Thanks. John