RetiredBum
Member
I have a couple of wireless mic questions for use in community-theatre musical productions. The location is not "big city" with lots of strong TV stations, but it's not rural either.
First of all, are there any "real world" differences between the Sennheiser EW100 G3 and EW500 G3 systems?
I understand that the 100 series has fewer pre-programmed intermodulation-free frequencies than the 500 series, but that can be overcome by manually programming the frequencies (taking into account intermodulation issues.) Also, the 500 series receiver has a bit better adjacent-channel rejection & intermod attenuation. But is the difference noticable in a real-world setting?
Finally, how does the Shure ULX Pro series stack up against the EW100 & EW500? The Shure is priced in between the two Sennheiser models.
We would be using either system with Countryman E6 mics.
Thanks,
--Alan
First of all, are there any "real world" differences between the Sennheiser EW100 G3 and EW500 G3 systems?
I understand that the 100 series has fewer pre-programmed intermodulation-free frequencies than the 500 series, but that can be overcome by manually programming the frequencies (taking into account intermodulation issues.) Also, the 500 series receiver has a bit better adjacent-channel rejection & intermod attenuation. But is the difference noticable in a real-world setting?
Finally, how does the Shure ULX Pro series stack up against the EW100 & EW500? The Shure is priced in between the two Sennheiser models.
We would be using either system with Countryman E6 mics.
Thanks,
--Alan