So reviving an older thread-
To catch up for those who don't want to read through 3 pages of it- I work part-time for my church as their AV tech and I was previously approached about upgrades to our kid ministry's performance/
multi-purpose room. At the time I did a cursory glance and the money kinda petered out so the project died. Recently I was asked to revisit this and putting fresh eyes on the project has caused me to realize that there is some seriously dodgy stuff going on there.
Namely, they have two EV sx300's hung incorrectly and their
track lighting they are using is only suspended with drywall anchors through the ceiling tiles. Nothing goes into metal at any
point. So this is now on my front burner at getting it fixed as quickly and safely as possible.
Here's some photos-
This is from about the middle of the room, looking towards their
stage area. There is another EV hung to the left, just out of the picture. The two rows of
track lighting are being held up by the ceiling tiles only.
This is a picture of how these things are suspended. Bent eye lags, dog chain, and quick links. It's like the hat trick of bad rigging.
Better view of the hardware they used/made.
So I've started pricing out the MB100 kits and other hardware. Since this is
dead hung, is Grade 30 chain an acceptable choice for this application? I know of the very long and verbose thread arguing the merits the phrase "
overhead lifting", and I don't wish to reproduce that here. I will happily spec the safest chain if that's where the argument is now.
As far as the rafters go, I was thinking of bridging a piece of
unistrut on top of the joists and lagging the
unistrut into the wood from the top then using an eye
bolt to provide a
point. Does this make sense? I thought about bolting a shouldered eye through the joist (which are 2x8), or possibly getting really long eye bolts and going vertically through the joist, but both worry me with regards to weakening the joist.
As far as the lighting goes, the
track lights are
fed from junction boxes into flex
conduit so I don't think it will be too hard to put those into junction boxes and mount them in the ceiling
grid to provide
power for the lighting. My plan there is to provide two "battens" of
unistrut and mount a healthy mixture of
LED and PAR38's
fed from two
shoebox dimmers. Not sure if the
track lights are on separate breakers, but I don't intend on using more than 10 amps worth of lighting in any event.
I was also thinking that suspending the
unistrut track for the lighting in a similar fashion as the speakers. Then instead of chain, dropping all-thread to suspend the longer piece for the lighting. I've been talking to a rigging friend of mine from a neighboring
theatre and plan on talking to an electrician friend who's messed with
unistrut before, but as always I like to get the opinion of the booth.
Thanks!