MilesDenison
Member
Purely out of curiosity, when do you guys make the call that it isn't worth throwing individual mics on everybody, and go purely on their ability to project or a smattering of shotguns and condensers?
I've been running show after show after show for the last two months, starting to run out of time and energy to go through and write cues in, program them, build a majority of the set, and rehearse with the groups. When do start triage and make the call that mics really aren't a necessity?
I've been running show after show after show for the last two months, starting to run out of time and energy to go through and write cues in, program them, build a majority of the set, and rehearse with the groups. When do start triage and make the call that mics really aren't a necessity?