@radiancehazer07 Most artistically satisfying, most financially rewarding, most memorable and favorite program credit are all different queries with decidedly differing replies: Among the productions I personally found most satisfying was an amateur production of 'Amadeus' which I recorded, lit and operated sound for in Burlington, then in the Western Ontario Drama League competitive festival in London, Ontario and then in Owen Sound, Ontario for the competitive Theatre Ontario Festival. Most financially rewarding were a great many productions with Stratford, Ontario's Stratford Shakespearean Festival. Most treasured program credit is hands down my first Broadway credit as one of two assistant electricians touring into Broadway's Shubert Theatre with a British Canadian co-pro of 'Buddy Holly The Musical'. Narrow your query and I'll narrow my reply.
That sounds like such an amazing feat!Frankenstein - Most elaborate technical show I have ever done in community theater - Jacob's ladders, Tesla coil, bubble columns, real CO2 fog, (all built by me) and a wall encrusted with vintage high voltage switchgear, meters and insulators from a turn of the century power plant, donated by ConEd. We also had great sound effects and lighting. This is not a big theater and no fly or big wings, yet we had to go from a blank stage (cemetery) to the castle to a full lab with no untimely set changes. The lab was packed into an 8x8x4 ft cube which unfolded to a 16' lab. Great fun.
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