Oh, wow, that color hurts my eyes! How long has that color been there?
Oh, wow, that color hurts my eyes! How long has that color been there?
Careful, LightingTechie, when you say Rosco 100. I see you're from the UK, so you meant Rosco E-Color 100, but around here when someone says Rosco 100, it's assumed they mean Roscolux 100: Frost. I don't know that anyone uses E-Color in the US. And since it's a rip-off of the LEE line, not sure why anyone in Europe would use it either.
That would have been Roscogel; Roscolene is/was acetate-based. See also gelhistory - DerekLeffew.com .... Further useless info, my first gel swatchbook was for Roscolene, at least I think that was the name, it was actually "gel".
Thank you Derek, in fact, the more I think of it, it may have been a Brigham swatch book. I do remember that one of the gels was mostly clear with random splotches of different colors. I have no idea of its use.Agree with Cinemoid 08. For a "modern" equivalent, try LEE Filters 108, English Rose.
That would have been Roscogel; Roscolene is/was acetate-based. See also gelhistory - DerekLeffew.com .
I'd never heard of this, but I believe ship has spoken of it before, and may even have access to some. Perhaps he can photograph it and post a picture. The only thing I can think of is as a pre-made slide for a Linnebach projector, to add texture/break-up. Remember, the use of gelatin color media predates the gobo in an ERS.... I do remember that one of the gels was mostly clear with random splotches of different colors. I have no idea of its use.
im a relatively new designer, but after hitting the swatches for an day or two i feel that i gravitate to certain color filters over others. What are some of your favorites and how would you employ them.as an cyc wash i personally love rosco's r21(golden amber) and r24(scarlet) it causes a bloody sky look. it looks great in contrast to sharp shadows.
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