Cool Ideas above. I was thinking more three dimensional box that moves left to right, up and down, and
down stage to upstage with a mounted
grid. That's a cool idea above on the pulling them concept, hard to reset and not as much upstage to
downstage but using different wattage of lamps could be amazing.
Overall with the above a modified tricorn that governs scenery or anything we do: Time vs. Budget vs. Manpower. Assuming this contraption would be one - manpower as it were needed, one could replace this figure by skill
level in doing what concept the above two afford in the other ways artistically. Is this something the designer or TD or ME has to do in not doing anything else for as long as needed to get it done? Something someone else not needed for production can take on, and if they can, what extent of those needed for the rest of the show have to spend time in supervision?
Also add in control - how many dimmers/
etc. how do you control it short of extra channels on a
dimmer available and a ghost loading somewhere off
stage?
Time and money the other determining factor in how cool artistically can be done. Choose two in leaving one costing, or choose two in the third suffering or costing more.
Special effects... great stuff but pre-plan budget, time and manpower or in exchange for it skill
level. If it can't be done, see what you can rent if important but not possible to make.
For any of the above from what I might consider to what others have, skill
level is high and time is a few hours just to plan and figure out parts for. After that, it's not something that can be handed off in getting done like hanging a few christmas light nets across the back of the window unless individually controlled and moving as fireflys will do. Details in making the art will take time and a lot of thought.
Anyway, some thoughts hopefully of use in plan it as per the above in the tricorn or rent it / hire it out elsewhere to get done somehow so it don't steal the thunder from the rest of the art intended on the show.