How big is your rig?

ETC Eos with 10,000 Channels
4 Sensor+ 96 Racks, all fully loaded with D20 modules
ETC Smart Switch for Work Lights.
20 19degree S4
20 26gegree 24
20 36degree S4
20 50degree S4
20 70degree S4
25 Altman 6" 1K Fresnals
25 Altman Par64 cans
6 3cell cyc lights (don't know the brand)
6 High End Studio Spot Zooms
4 Altman 4X4 R40 strips
6 S4 zooms 15-30 degree

All Run via Ethernet.
 
Road house:
Ion 1024, 3 - 2x20 wings, dual touch screens, RFR,
Unison legacy with 4 LCD screens for house, works, utility power
4 - 2 port, 3 - 4 port Net2 nodes
3 full Sensor racks, 2 partial, plus Unison rack for house lights, 304 dimmers/24 relays
64 S4 25/50 zooms
56 S4 Pars
12 S4 ParNels
24 S4 19&26 degree units
16 Shakespeare 15/30 zooms
48 Shakespeare 30&40 degree units
32 Altman 4.5" zooms
Assorted PAR64's
12 L&E MR16 Mini-Strips for cyc lighting
6 High End Studio Spot CMY/Zoom
2 Lycian 3kw xenon follow spots

500 Seat Proscenium: About to be partially torn down (proscenium out)
Express 250, RFU, Colortran D to A converter, 2 ETC Response opto-splitters
48 Strand 600 dimmers with patch panel
24 Colotran D192 in 2-12 packs
12 S4 36 degrees
12 S4 Jr Zoom
32 Altman 4.5" zooms
90 Strand 6x9 & 6x12
36 Altman 360Q 6x9 & 6x12
12 Altman 6" fresnels
12 Colortran 6" fresnels
42 PAR64's
8 Altman Ground Cycs
12 Altman Econo Cyc single cell units

Black Box: About to get renovated with new 2P&G raceways/boxes plus add'l dimmers
ETC Express 48, RFU, about to be an Ion with wings, RFR, RVI
Sensor with 60, soon to be 96 dimmers
2 - LMI L86 12 packs
60 S4 JR Zooms
24 Altman 6" Fresnels
Assorted Altman 360Q fixtures

Recital Hall: soon to be torn down
Unison LCD system with track lighting

Currently working on a final order for:

18 S4 15/30 zooms
4 S4 25/50 zooms
92 S4 36 degree
28 S4 26 degree
Assorted extra lenses
8 Martin MAC 700 Profiles
ETC Net3 4 port node
ETC relays
DMX stuff. cables, lamps, plugs,


Plus new facility supposed to open in 3-5 years:

Renovated proscenium space plus 2 new Rehearsal/Recital rooms

3 Ion consoles, with RFR's touch screens, RVI's
6 Sensor racks
3 Unison Paradigm systems
A bunch of S4's (200 ?)
12 VariLite VL 1000's

I'm really, really busy right now reading/reviewing/commenting on new building plans, drawing up renovation plans for black box and doing a $150,000 proposal for the road house.
 
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It feels so inadequate compared to the last few posts :oops:

If it makes you feel any better your 48 dimmers beats my rig, we don't have any dimmers! For some lights we just have to turn them on and off at a breaker panel :oops:
 
This thread is reminding me a lot of this thread.

We're in the process of adding a second Sensor rack (84 D20, 12 R20), a second ETC Ion, and fitting up our rehearsal room for performance. There's audio gear in the mix too but that would be yet another thread. ;)
 
Long ago and far away, in a Galaxy...... My very first rig was a salt water 6 pac and 12 100w clip lights. It was in 1953 for the March of Dimes. A public employee woman was traveling around the Midwest, making presentations for awareness, donations and prevention of Polio. Picture a six pack of long necks, except they were 1 qt long neck milk bottles, like the milkman used to bring to your door. The six pack carrying case was 1/2" ply. The divider with the hole for a handle was about 12" higher than the top of the bottles. There was a long slot above the mouth of each bottle. each slot had a long bolt, probably about 3/16x 4", that ran through the ply and had a spring and washers on the other side, thus one could move the bolt and knob up and down the slot and it would stay in place when one let go. Each slider had a "big", bare, copper wire attached, (don't remember how it was attached, but it didn't touch the bolt holding the slider in place.) The milk bottles were filled with water and 2 table spoons of table salt. Each bottle had a copper disc about 1" dia. in the bottom, attached to an insulated wire that came up and out of the bottle to a terminal strip on the handle. Flexible wires to the six sliders also went to a second terminal strip, female receptacles to the clip lights and back to the term strip. The terminal strip turned the six hot (bottom of bottle) and six neutral (bare wires on the sliders) to a single 12 amp circuit in a standard, 2 prong, ungrounded, Ground??? 1953???? what are you thinking! un-polarized (that would come years later) Edison plug.

Not a very big Rig, but very effective for the job and we did some Kick-A** work. I'm still proud of what we did on that gig.
 
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2,338 Fixtures/Devices including...
15,763 Patched Channels comprised of...
1400 fun aquatic, fire and lighting devices,
24 VL3000
16 Syncrolite SXB7
591 LED Strobes
30 Atomic Strobes
12 Hippos
1 MBox

on 5 MA2's. :p
 

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