RickR
Well-Known Member
There are many paths to the same goal. From what little I've seen of the CSpar the white is quite acceptable. (Look into the magic of lime.) I am not completely against mixed to white LEDs. I have done a few shows with all LED (x7) except some incandescent specials. The conventionals did not show as different, except maybe more amber than my default warm white color. Note that these were not major productions, and I acknowledge there is a difference between incandescent and mixed LEDs. Just as there are differences between brands of gel. If "true white" is so critical then why do we filter all the incandescents?
I will say more after getting time with CSpars and some S4s. Side by side on a small stage should be very instructive!