Hello there,
First let me say that you folks have helped me build a lot of practical knowledge in the last month. Unfortunately, I'm having a brain freeze concerning this one topic.
Background: I help coordinate the AV, Lighting and Sound controls for a newly opened high school in Los Angeles. As the school year ends, there are many opportunities for bands, presentations and events in our theatre space. This means that I get to really stretch the legs of the space, but I've hit a snag.
We're having a telepresence event soon, which can be dialed in by students on the site. We'll be having a 5 piece band play, which will be routed to our LS9-32. That we can handle. But what we also want to do is set it up so that the entire band's mic/line in signals can be consolidated into an omni out mix that will then be sent out.
For the life of me, I can't figure out how to set the individual fader elements for the instruments and performers onto a mix, and then have that mix pushed to the omni outs.
Previously, I've relied on the Direct Out function of the board to push out one fader to one monitor on stage, but this will be impossible given the connections that the master streaming computer has (2 XLRs).
We've tried using a random Omni Out as a monitor line for press a few months ago, but the signal was hopelessly low and full of noise (static or crunch). It's safe to say I need some handholding in respects to using the Mix and Omni outs.
First let me say that you folks have helped me build a lot of practical knowledge in the last month. Unfortunately, I'm having a brain freeze concerning this one topic.
Background: I help coordinate the AV, Lighting and Sound controls for a newly opened high school in Los Angeles. As the school year ends, there are many opportunities for bands, presentations and events in our theatre space. This means that I get to really stretch the legs of the space, but I've hit a snag.
We're having a telepresence event soon, which can be dialed in by students on the site. We'll be having a 5 piece band play, which will be routed to our LS9-32. That we can handle. But what we also want to do is set it up so that the entire band's mic/line in signals can be consolidated into an omni out mix that will then be sent out.
For the life of me, I can't figure out how to set the individual fader elements for the instruments and performers onto a mix, and then have that mix pushed to the omni outs.
Previously, I've relied on the Direct Out function of the board to push out one fader to one monitor on stage, but this will be impossible given the connections that the master streaming computer has (2 XLRs).
We've tried using a random Omni Out as a monitor line for press a few months ago, but the signal was hopelessly low and full of noise (static or crunch). It's safe to say I need some handholding in respects to using the Mix and Omni outs.
