I mean this in all seriousness; given how unaware you appear to be of the lighting
console market, do you think that you're actually the best person to be making this kind of purchasing decision? If you are, I highly recommend instead of throwing darts at different consoles you see on the internet, that you
call a few different theatrical suppliers in your area, tell them what your situation is, and ask them to make complete recommendations on the best lighting
console for your budget and your
venue.
The worst thing anyone can do during a purchasing decision like this is claim to be educated well enough on the matter to make the recommendation when they are actually quite inexperienced and end up making a terrible judgement
call that the
venue has to live with that for the next decade or two.
Also, it's entirely possible that their are factors to be taken into consideration in your school's space that we are unaware of. So taking any recommendation given on this forum without further research and recommending a specific
purchase, could be the best option we could've come up with, but then could still be an awful
purchase for your
venue for one unforeseen reason or another.
Do not
purchase a
console on a website, and do not make a
purchase without having the sales rep walk through your
venue and determine if that's a good fit for the school or not. They do this for a living and can make much better decisions than a student can. It is fantastic if you have a set way that you do things, and know what your school needs, but in a couple years when you've graduated there's no saying that the
venue will not need something completely different because they want to use it a totally different way. This is especially likely to happen when there are no full-time staff members to oversee the technical side of the
theatre.
Waves of students will come ranging from "very competent" to "shouldn't be trusted with a toaster." Some years, students may not even be interested in lighting and the director needs to know how to just quickly turn on some lights, or have an idiot-proof setup so that he can sit anyone in front of that
console and put a show on.
I caution you to start by admitting there are people out there who are better equipped to come up with a plan to
address the needs of the performance space than you are. They are great people to get to know, and usually once you find someone you like, they'll take care of you. Before you get all caught up in an
Element, an
Ion, a Bijrou, or [shudder] an
Express,
call up a couple sales reps,
talk to them on the phone or in person, and really get down to the roots of your situation. Email is fine when you already know the rep, but when you don't, it usually will result in being written off as just another pain-in-the-butt student trying to do the right thing for their school by shopping without their permission and making recommendations on that cool lighting rig they saw at that concert this one time...
Those guys see a lot of that. Avoid being
that person by having a real, drawn out conversation about what your school needs and what
role you have in making that happen. Also, be truthful. If you are student, let them know that. Then when they feel they hit a
point where they should be talking to administratives, they'll enter Sales Person mode and talk to administratives. They'll do what they do best to solve the problems for the school.