I am going to lean toward for Pack rather than Rack. Here's my reasoning:
As a caveat, in my
venue I have a
dimmer rack and can swap out dimmers for relays as required, but if I were starting from scratch today I might go with fewer
conventional dimmers. The trend seems to be to fewer instruments with more capability and lower
power consumption so maybe we won't need a lot of
conventional dimming a decade from now.
The future (and the present) of
stage lighting is some combination of
conventional,
LED, and ML lights. Investing in a
dimmer rack may not be as cost-effective as running switched
power and communications
wire (
DMX and
ethernet) everywhere, especially if you have to run the data
wire everywhere anyway to support all those newfangled
DMX devices. LEDs have integrated dimming, as do most MLs so the dimmers are primarily for the conventionals.
There are some really good quality
IGBT dimmer options out there. Getting one that can up to 1.2 kW per
channel would support most
conventional instruments you are likely to use.
Assuming the existing wiring is worth preserving and up to the task, replace the existing
dimmer rack with a DMX-controlled
circuit breaker panel and reuse the the wiring to distribute switched
power throughout the
venue. Extra circuits are nothing special for any licensed electrician which means there's more chance it will get done correctly. It's not quite as simple as that but a good consultant, vendor, and/or electrician can help steer you straight.
Install CAT6 and
DMX drops near all the locations that have
power since you are going to need it for the
dimmer packs. Make sure all the
DMX drops come from their own branch of a
DMX splitter. Make sure all the CAT6 runs home to place where a robust
router can be installed. Now that you have all that data cabling for the
dimmer packs, it is also available for
gobo rotators, I-cues, scrollers and other
DMX toys (aka
the Gafftaper Method).
This option produces a
venue with lots of clean
power available everywhere, and lots of data wiring. When you start supplementing your rig with
LED, or MLs, or decide you need to rent another 8 channels of dimming for some production, it is easy to do so.
As others have said, there are pros and cons to both methods. Assuming the same quality,
dimmer rack ought to be less expensive than
distributed dimming. But if you don't need as much
conventional dimming, then you don't need a large
dimmer rack.