Its not a noob thing, Many people its just preferance but i find it much easier to control an audience's attention as well as where my lights wash with black walls instead of white.
I think I could park a few trucks up there...
You are not losing it.Am I losing it or are you using two Express's there ?_?
You are not losing it.
The 24/48 is being used for conventional lights and the 48/96 is being used for movers. I'm not sure why; the 48/96 should be able to handle both, I just need to learn the Expression software! As odd as it sounds, I've never worked in a theatre with an ETC board.
Since the systems are approaching 6 years old and we have 30 movers, I'm going to start pushing for an Ion. At that point the 48/96 will go in the black box, the 24/48 will go in the lab theatre and the Smartfade will go into storage.
Better booth pictures (these ones have already been posted but weren't very clear) that I took tonight.
Slideshow: Booth Photos - Windows Live (Requires Microsoft Silverlight)
Thumbnails: Booth Photos - Windows Live
I had a pair of those for 6 months, they got the job done. Turns out they didnt like receiving phantom power via the DMX in though.Do you also have EDI SCRimmer Stiks for dimmers then?
I am SO GLAD you posted a picture of your console. That is the same board we had in my high school's old theatre. They tore it down right after I graduated, and I have since tried to find out what console it was, without luck. When I was there, I wasn't as interested in the nuts and bolts of theatre, so I never paid close enough attention to what I was using.
Don't worry, I know of a stage in my area that has white walls.
It is in a senior center built by the City of Redmond around 1990.
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