After reading the articles, it appears that one of the main (maybe only) organization that was taking the proposal to task was the
IALD. By their website, it appears that their work involves architectural lighting, interior and exterior.
Are theatrical lighting designers typically members of
IALD?
Joe
Perhaps IA if not AE as I think part of them but the actual
stage designers union. More likely another lighting design organization something like IESNA which is a good group as a designer for lighting - no matter the specialty would be good to join, lots of good info from them and the "member discount" is worth it for stuff one could learn in being a member. This plus a feather for the resume. A group I want to join myself at some
point.
Overall, lighting designers or specifiers should join or it would be good for them to study and qualify for as much as possible under the general design concepts for lighting design. While I don't design much any more, I do not just have some amount of
stage lighting designs under the belt but also a few architectural type and or museum lighting designs under the belt. Once the overall concept of design is understood, architecture verses theater design is easy enough to often do better than most who don't have theater design training. At times a
bit more work when figuring out illumination levels on surfaces for the proper amount of light to a specific area, or in more doing washing than spotting, ensuring proper color temperatures per design intent... still the same design is design type of thing and a field that is easy enough to work.
Heck, even if not designing so much these days, I would also not be compliant with this type of law as written and almost came to pass. Some club owner has a bunch of say MX-4's with MX-10's and wants them to be the same color temprature, (option of dialing down the MX-10's or up the MX-4's in
color temperature) or say they want a long life trackspot lamp, as a in-state retailer for at least this cliant it would be against the law as written for me to as his lamp supplier specify a different lamp for him to use. He instead would have to go out of state for that type of help. That's kind of silly, my
role is to help designers not get a fine for assisting them in getting done what they desire. Same with fixtures
etc. in designers coming to see me to recommend a
fixture for a need, short of the retailer knowing what products are available, we are talking about landscape designers knowing what's available on the market and how best to optimumly place them. Possible they could grasp lighting design, but often with help as with anyone else LD for the
stage to architect in needing help at times.
Got a friend at work that's also working for a interior waterfall company in his off time. Has a huge like 40' long 30' high waterfall he wants to
wash in light a
RGB color change within the waterfall. Was thinking Philips MR-16 or another small
LED strip light from them, I was thinking Fiber Optic or color
lens low
voltage MR-16 in advice for at least cost effectiveness. Given the size of the waterfall and only fourteen lamps per powersupply the Color Kinetics MR-16 fixtures would be out (Philips really does need to come out with bigger
power supplies for these fixtures, believe it was something like 13x
power supplies I quoted out just to make a 6' high twenty
foot long "Green Day" sign with them.) But there is some variable lengths of small bar like
wash type
LED fixtures from that brand which would work assuming the waterfall had some straight
line waterproof troughs in it. A
bit more difficult to make a waterproof trough for the lights and cable in a custom waterfall especially with access to such equipment as opposed to individal lamps or pods of them for adjusting to the shape. Neither of us in Texas (the theater designer or I) would be qualified to help that waterfall company had there been such a law and the budget would have to be raised for someone with a certification to find the same problems we found in figuring this out - this especially without help from those not qualified.
Unfortunately while going fiber optic lighting will have been the best option - given the water and access to the fixtures in
ease of changing lamps or
power with water or data, there it seems are not so much yet
wash type lighting fixtures available in such a architectural fiber optic type of
fixture. Easy enough to run say 3/16" fiber optic cable out to the various sources and remotely
power them up by way of color changing fiber optic source type fixtures. Very safe in the only
power going to the lights would be in a closet somewhere and nothing to do with what's going on in the waterfall. Unfortunately not possible for a fiberoptic
wash fixture sufficient yet at close range for a
wash. Still that would be the best option and TBA someday or perhaps with an added
lens might work. Wonder how many architects who didn't read "Lighting for Historic Buildings" would have thought of going fiber optic, this much less know about the Philips brand KC type fixtures sufficiently in charging more per design than some designer or supplier with experience with them. Heck just today I wired up a 28 lamp MR-16 display cabinet. I could probably do that given it was not me specifying what was used in the display cabinet. Granted the designer probably as concept for designing the cabinet and it's lighting will have possibly broken the law.