Safety Issues in the Theatre

How many people on this forum work in a theatre where safety cables are not used on their fixtures?

I have safety cables on all my units including floor mounts (yeah, they don't do much). On most of my instruments I put the loop end of the safety around the yoke of the fixture so you can't remove it unless you take the yoke off. This means that I don't loose safety cables, and I know that every light has one. Safety cables are cheap there is no reason not to have them.
 
I have safety cables on all my units including floor mounts (yeah, they don't do much). On most of my instruments I put the loop end of the safety around the yoke of the fixture so you can't remove it unless you take the yoke off. This means that I don't loose safety cables, and I know that every light has one. Safety cables are cheap there is no reason not to have them.


I agree, but I will have to say that most of the high school theatres/auditoriums, as well as professional houses, that I walk in don't have them. Also, I rarely see them at music festivals/outdoor concerts (the small ones, not the national touring acts).
 
How many people on this forum work in a theatre where safety cables are not used on their fixtures?

For some reason, they guy that was putting in our lighting didn't put any safety cables on them, so I need to get some. Luckilly right now we don't have many lights, but in our type of place (youth ministry where rubber balls flying up and hitting the ceiling is a common thing), we are going to need them. :neutral:
 
I would reccomend that every theatre program own at least once copy of Dr. Doom's book, "Practical Health and Safety Guidelines for School Theater Operations." It's a thick book containing chapters on almost anything you can think of, including lighting, fire, falling, and even makeup. It's worth it's weight in gold, and Dr. Doom is truly the most knowledgeable man in theatre safety in the country if not the world.

http://www.theaterhealthandsafetybook.com/
 
I would reccomend that every theatre program own at least once copy of Dr. Doom's book, "Practical Health and Safety Guidelines for School Theater Operations." It's a thick book containing chapters on almost anything you can think of, including lighting, fire, falling, and even makeup. It's worth it's weight in gold, and Dr. Doom is truly the most knowledgeable man in theatre safety in the country if not the world.

http://www.theaterhealthandsafetybook.com/



I don't feel comfortable trusting someone named "Dr. Doom". :shock:
 
I don't feel comfortable trusting someone named "Dr. Doom". :shock:

Hehe. I suppose Dr. Randall W. A. Davidson's nickname is a bit intimidating at first. You can read up on his website how he got the name and why people consider him to be the best in the business. Here's one quote:

Kristi Ross-Clausen said:
One might expect a man nicknamed "Dr. Doom" to be a pessimist. I find Dr. Randall Davidson to be just the opposite. His personal mission is to make the entertainment industry - in all its forms - safer for everyone, and he lives what he preaches. I was recently with him as we left a high school auditorium at the end of one of his seminars for teachers and administrators. The timing coincided with the end of the school day, so halls were filled with students hurrying out the door. Dr. Doom noticed a small piece of paper lying on the floor, picked it up, and put it in the trash, lest someone slip on it and fall. It's this kind of attention to the smallest details that he brings to this book. Because of this, you may find that parts of this book are challenging to read (I recommend you wait until long after mealtime to read the list of trash he's found backstage!). But it's well worth the effort. As a former teacher, I know that when it comes to the technical demands of performances, most schools have well-intentioned but under-trained and under-supported theatre and music staff. Please read this book, share it, and discuss it with everyone who works with students in the performing arts. Use Dr. Doom's decades of experience to make your school a safer place.

Kristi Ross-Clausen, Former K-12 music and drama teacher
International Alliance of Theatrical Stage Employees, Local 470
ISETSA makeup safety consultant / Independent makeup artist
Mary Kay Independent Beauty Consultant
 
I'm quite happy to say that my school's two theatres have safties on all their instruments...which is a good example, I suppose.

All of the many outside theatres I've worked in use safety cables except one, which scares me sometimes...
 
As for this youth ministry, I do have to wonder why whoever is supervising this isn't doing anything to stop blatantly unsafe practices... You would be dead if you did that in my church... The property committee would kill you for destroying or potentially destroying the place...
 
As for this youth ministry, I do have to wonder why whoever is supervising this isn't doing anything to stop blatantly unsafe practices... You would be dead if you did that in my church... The property committee would kill you for destroying or potentially destroying the place...

I have nothing to do with the lack of safety cables. I am going to go out and get some this weekend. As for the flaming swords, they did that long before I cam along. The flying balls, well, I guard the tech booth with my life whenever they start hitting/kicking those.
 
I have nothing to do with the lack of safety cables. I am going to go out and get some this weekend. As for the flaming swords, they did that long before I cam along. The flying balls, well, I guard the tech booth with my life whenever they start hitting/kicking those.

Let me firstly apologise. I in no way intended to imply that any of this was your fault. In light of some extra facts, it seems that there is a level of control over flaming swords etc, which did not seem apparent from earlier posts. However, the people in charge should be doing something about the balls I'd have thought...
 
I'm not against the use of safety cables, but has any one actually ever seen a safety cable catch a falling instrument or be used for more than a visual safety measure? I've been doing lights for 15years now, and have never seen an instrument fall and be caught by a safety cable. I've got more use out of safety cables by using them to hang them off a ladder when hanging likes (this way i don't have to make as many trips)
 
I'm not against the use of safety cables, but has any one actually ever seen a safety cable catch a falling instrument or be used for more than a visual safety measure? I've been doing lights for 15years now, and have never seen an instrument fall and be caught by a safety cable. I've got more use out of safety cables by using them to hang them off a ladder when hanging likes (this way i don't have to make as many trips)


Safety cables are a funny thing. When we need them (just before we tighten the clamp and just after we take the clamp off) they are already off the fixture. Also, if they were really that important, then why aren't they connected directly to the fixture, instead of just around the yolk. The bolts holding the fixture to the yolk will fail before the clamp does, and the lens tube falling out is even more likely that than, yet they are not protected by a safety.

I have seen one of the new "Chinese" C Clamps break, it sheared off at the top of the "c". It was at a live music club and was holding a steel par 64. No one was hit, but it did scare the crap out of a few people. It had just been put up a day before during a remodel. (We checked the pipe later, figuring that it was just overtightened, but there was no dimple for it, so I doubt that it was.) It was purchased on ebay. (the image is from ProGear Warehouse because it was the only pic I could find. I order from them and they do have good products. Tom Murphy is the manager and a great guy)

I brought that up as an example, as I have only seen a few theatres that religiously uses them, and more don't have any at all.
 

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I'm taking a course this summer on Theater Safety and the text book is Dr.Doom's book. Looking forward to it.
 
I've seen a lantern fall from a failed Hook clamp once in 40 years in and around theatres. I have however seen unsafely rigged lanterns bounce off bars because the clamp was not tightened properly. Unfortunately often if the person who rigged the lantern didn't tighten the clamp up they also didn't fasten the safety. I am gradually making sure all my lanterns have the safety bond fixed to the body of the lantern. It also means that I no longer lose so many safeties on hires.
 

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