STEVETERRY
Well-Known Member
The good ones don't. But when the bad ones blow up, it's an issue!
And, everyone lies and says that that their fixtures work on a dimmer set to full. That compounds the issue when they blow up.
ST
One of the theatres I work in fairly consistently has some permanently installed relay modules with corresponding L6-15 connectors installed and they hate it. It means a lot of copper that is never used in their case. I think they've come to terms with the direct power in the raceways, but a lot of the 6 circuit Socapex breakouts on the deck are 1 relay and 5 dimmers and that consistently drives the ME absolutely crazy. It would have been a much better use of money to buy less rack space but a few more dimmer modules with a few relays modules that could be swapped out as needed. Also I think all 2P&G would have been better for them with a few adapters laying around.
Okay. But what about node s, opto-splitter s, scroller PSU s, DMX irises, Twinspin s, Seachanger s, or any other "gadget" one often finds on an electric? I've never seen a wall wart that didn't have either a NEMA 1-15 or 5-15 plug built into it.... 1) 0% of the fixtures I specify come with connectors attached to them. Some come with bare wire leads (such as a source four) and some come with no wire and a blue power con in receptacle (such as a VL or ETCs LED line). ...
An anecdote: In 1969, when my first college built its PAC, a state-of-the-art five-scene platen preset system was installed on the mainstage. For the studio theatre, they chose a large and complex Dimmer, Autotransformer system. Both by Ward-Leonard. The thinking was that the mainstage would train future professionals; and the studio would train teachers and amateurs, who encounter manual dimmers in their later life. The mainstage became a Light Palette in 1980, the ATD s in the studio were replaced by a LightboardM in the late '80s. I believe today the mainstage is 520i and the studio an Express....And they want to be using the gear that the students will encounter post graduation / in a few years.
All of the duplex 5-15 receptacle s (max of 13 per circuit, IIRC) in my (and likely your) house are protected by a 20A OCPD. There's nothing stopping me from plugging in two 1200W luminaire s or appliances if I desire. Also, I am allowed to plug 18g. zip cord with a NEMA 1-15 into them.... It does make me wonder, however, how adapter, FED is legal. It allows you to plug 15amp wiring into 20 amp circuits. ...
Sensor racks with D20 modules have DUPLEX Edison, or a single T-slot 5-20C.... Or what about sensor racks with edisons? Or do those have d15s?
My takeaway from that is to always buy/use 5-20 females, whether the OCPD is 15A or 20A.Does this mean that every Stagepin to Edison (NEMA 5-15) Adapter, FED is also NOT code compliant,
except those using a T-slot 15/20A Edison female (NEMA 5-20)?
2011 NEC 520.69 (A)It seems one might interpret that to mean if an adapter uses a 15A male, it must also use a 15A female. The code says "same current and voltage rating as the plug supplying it," not "equal to or greater than." Obviously this is problematic given that there's no such thing as a 15A stage pin connector. Also problematic is that the vast majority of stage circuits are 20A, so a 15A connector would never be permitted.
Where was I going with this? I forget. Oh yeah: Academia's crystal ball is seldom clear. The ThruPower is a brand new product. Maybe it will sell like gangbusters, and we'll soon see Sensor3 racks loaded with nothing else. But personally I doubt it. It has its place, but I prefer the more cost-effective method of swapping modules. Maybe the future is dimmer racks with all CC20/R20s and swap in a few D20s occasionally, instead of today's reverse.
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But now on your booms you have a circuit that may be needed but can't be used.
Some good thoughts. Let me rekindle the discussion with some points:
In short, if we do too much wet power and not enough dimmers now,
Sort of. Dimmer racks are expensive, as are modules. It's far cheaper to power those 5-15R's (5-20R's?) off of a branch panel than off of a dimmer rack, and I'll bet that whoever specified the system didn't have room in the budget for the luxury of the extra rack spaces and modules necessary to run those through the dimmer rack. To power those circuits from the rack probably would've meant fewer dimmable circuits available on stage.
Lets simplify things.
You are using d20s, or TR20's, so your options need to be rated for 20 amps. This means you can (legally) spec 5-20s, l5-20s, or 2P+G. But let's assume for now, based on the fact that everyone does, that 5-15's are an option.
Academia's crystal ball is seldom clear. The ThruPower is a brand new product. Maybe it will sell like gangbusters, and we'll soon see Sensor3 racks loaded with nothing else. But personally I doubt it. It has its place, but I prefer the more cost-effective method of swapping modules. Maybe the future is dimmer racks with all CC20/R20s and swap in a few D20s occasionally, instead of today's reverse.
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Sort of. Dimmer racks are expensive, as are modules. It's far cheaper to power those 5-15R's (5-20R's?) off of a branch panel than off of a dimmer rack, and I'll bet that whoever specified the system didn't have room in the budget for the luxury of the extra rack spaces and modules necessary to run those through the dimmer rack. To power those circuits from the rack probably would've meant fewer dimmable circuits available on stage.
Okay. But what about node s, opto-splitter s, scroller PSU s, DMX irises, Twinspin s, Seachanger s, or any other "gadget" one often finds on an electric? I've never seen a wall wart that didn't have either a NEMA 1-15 or 5-15 plug built into it.
Again I'll state my case for 2P&G-20 (or, if you absolutely must, L5-20) receptacle s, AND a healthy supply of male-to-female Edison adapter s.
Have we not discussed the problem of using the term "Wet Power/Dry Power". I've heard of it and can never remember whether wet is dimmed or constant.
How about using "Dimmed" and then something else such as "Constant" or Non-Dimmed" (which has issues of it's own), or "Direct". Wet seems to be specific to an section of the industry - Film ?, Cruise Ships ?, don't know.
Anybody have any consensus on this ?.
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