Your Lighting Inventory

OK, Our House seats 1460 and going from memory this is our lighting inventory:

40 Par WFL
40 360Q 6X9
20 360Q 6X12
20 360Q 6X16
10 Aultman 6" Fres
10 Aultman 10" Fres
2 Shakespears 30 Deg
1 Shakespear 20 Deg
8 Strand SLs 19 Degree (FOH)
1 ETC Express 72/144
1 ETC Insight 72/72
2 Strong Super Trouper Med Throw 1.6Kw
2 Explorers 1.2Kw
1 DF50 Hazer
16 Selicon HUI Cyc Single Cell
12 R-40 Striplights (recently removed and disposed of)

Now 90% of the events we do we never touch our lighting. We are a road house and primarially do Touring Boradway. Maybe 12-15 shows a season. 3-5 Contemporary Music events. Our inventory is primarially for our college Music and Theater departments when they use the space and the occational Curated show.
 
In my 1400 seat, performance platform, Performing Arts Center, we currently have in lighting inventory:

Source4-10 degree--28
Source4-19 degree--135
Source4 Junior-26degree--16
Strand Bambino Fresnel--14
Canto 1200 Followspot--2

Seachanger Wash--9
Seachanger Profile--3

Mighty Bright Wireless Music Stand Lights--50

City Theatrical Yoke units (not very intelligent, but they move)--7

Strand 520i--1

Capio Dual Dimmers--96

103 of the 19 degree Source4 units are in a permanent repertory focus in a horse-shoe configuration on the third level, so symphony musicians will have light coming over their shoulders to light their sheet music.

The other Source4 units are mounted over the audience on two catwalks, with the Junior units focused straight down for the audience to use as readers for programs.

The Bambinos are used as readers for the choir loft, which is upstage and one level up from the stage.

Looking to add some more Seachanger Profile units, mounted on modified Apollo Right Arms. (thanks for the info Kelite)
 
At my old place of work:

1200 seat auditorium:

Fixtures:
30 Source 4 19 deg. 750W
30 Source 4 26 deg. 750W
30 Source 4 36 deg. 575W
06 Source 4 59 deg. 575W
24 Source 4 PARnel
01 Source 4 jr. zoom (no burn base)
16 off brand 6" fresnels
04 Strand Century 3-cell cyc lights
05 Off brand, un-lamped, un-gelled 3-cell cyc lights (boss didnt want to buy lamps or gel for them)
02 Lycian Starklite IIs. (now in the arena inventory)
02 Ultra Arc IIs (also in the arena inventory)

Control:
01 Congo jr. w/ 40 sub fader wing
02 48 space CD-80 racks (AMX)
60 2x2.4kW CD-80 modules

Accessories:
2 gobo rotators
12 Chroma-Q scrollers with 7.5" frames
10 Chroma-Q scrollers with 6.25" frames
24 Barndoors that didnt fit anything
1 broken Le Maitre Neutron XS (it leaks all the time)
1 barely working Le Maitre G300 (the DMX controller is busted, manual control still works)

5000 seat arena, used for basketball, vollyball, graduation ceremony, school convocations, large summer events, and the occasional concert:

36 Source 4 bodies (750W but lamped at 575W)
08 5 deg. barrels
12 14 deg. barrels
24 19 deg. barrels
16 Source 4 Pars, smallest lens you can get.


At the new job I have not taken an inventory (started a few days ago, just finished filling the new tool box), and the inventory they have is at least three years out of date, and is at least 50 fixtures short of what they actually have (did a gig as ME last year for them and hung 150 S4s and Fresnels, sheet says they have 100 fixtures total) Will post when I know it.
 
The only stuff I know of at my school is:
2 Martin Mac 600s
2 Martin Mac 250+s.

Obviously there's plenty more but I don't know what haha

In my local theatre where I'm doing some training and stuff, everything is in this PDF ;)

http://www.watfordtheatre.co.uk/images/page/123764953739.pdf
I've been doing some research so now I have a better idea of our school's inventory.

Zero88 Fat Frog Console
2x Source Four Zoom
2x Martin Mac 600
2x Martin Mac 250+
~20x PARcans
2x unidentifiable followspots
Some fresnels
Some old things...
 
Imagine the sky in everything under the sun and a few million spent next year on the new flavor in say a thousand of each most popular and a few each of what aint.

On the other hand consider X amount of five buildings to store gear, y amount of gear and Z the times when even half the gear comes home even for a few amount of days. Can one say no space even for the gear we have much less walking atop road cases to get from road cases worth of gear to get from one place to another? Can one say storage trailers not enough space and during winter it's challenging at times to get to them or between buildings?


Still though I wish at times for the days I had X amount of fixtures in the inventory and that was what I had to work with, store or lamp. Just had a tour come back today and they re-lamped 20x of their Infinity Wash fixtures (so far). That wiped me out almost on that lamp type and I won't get more for two days in asking for a rush shimpment, amongst the bulk 100x order I made last month 25x per month until complete as normal. Than they wanted some Mac 2K type lamps which were not a problem, I buy about 2,000 of them per year so far. Challenge even for lamps is storage for them. Got a lamp aisle - it's 24' long and like seven feet wide by 14 foot tall in lamp storage. Then expanded and still not enough room for even lamp storage that is by way of accounting dept. all in theory locked up - yea right..., can't wait for next years' upgrades and new fixtures in needing new lamps all together that I'll also need to stock in bulk and store in addition to resale lamps that eb and flow in the need for me to stock them or dead lamp types I bought in bulk that will due to upgrades or selling off fixture types at best take a few years to use up or I'm now stuck with in being obsolete. An entire 18"x36"x84" cabinet alone for HPL lamps that used to be just half or a quarter of a 12" cabinet like six years ago. That's lamps for me, imagine an entire shop full of fixtures and cable that are bulk and out on shows, appearing suddenly back in the shop and or obsolete at any point in time.
 
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At my current place of employment, we have the following:

Source 4 575 (body, less barrel) 48
Source 4 750 (body, less barrel) 48
S4 lens, 19* 6
S4 lens, 26* 10
S4 lens, 36* 67
S4 lens, 50* 35
S4 lens, 70* 11
S4 Zoom 8
S4 PAR 750 6
S4 PAR 575 5
1kW Fresnel 34
3 chan, 750W MR-16 striplight 9
3 chan Cyc cells 10?
20 HUI cyc cells (1kw)
Large, high wattage lamps of dubious quality/working condition (not used)2
Inky Fresnel 12
Scoops 4
PAR 20 4
ChromaQ Color Scroller 8
I-Cue 2
FilmFX 3
DMX Power Supply 1
TwinSpin 2
ETC Ion w/ 2x10 Submaster wing 1
Levitron Innovator 24/48 2
 
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20 S4 jr, 26 degree
4 ParNel
Assorted coffee cans

We're poor and we're small, but given thought and careful design, we make it work :) I just lit Jekyll & Hyde: the Musical with all of our S4 and ParNel fixtures, along with three coffee cans. I used every one of our 22 reliable dimmers (out of 24). Actually, the dimmers are fine, it's the channels on the console that have issues...

Not to brag, as it isn't in my blood, but it's one of the best designs I've ever done. Great cast, too!
 
Personal inventory/without work’s inventory:
Without an official list of what I have - mainly looking up in the garage and short of part numbers that in list I really should transfer to this computer... It’s a collection that was better once for active service gear in trade for older gear in many cases, but I sold off most of the more modern stuff in no longer doing shows and needing my own gear to supplement an invetory I was designing at. Plus when not trading for antique I could use the money at the time and made more off them current gear types than selling off the comic books in growing up and selling them off at least in this case in maintaining the resale price for them. Antiques I don’t sell, waiting until antique on the other hand... Ah’ If only I retained some of my early to mid-80's comic books. Still though as a personal inventory, not that bad perhaps given some of the below PC’s have been converted to 50w MR-16 lamp behind PC lens as primary lighting to my work shop, and the living room is about to become lit again by Inkie and 3.5Q5 once lamped way down for wattage. This in addition to lots of track light or modified pinspot types that from reading light once re-designated to modified are cool.

Personal inventory to date:
1x Kliegl 3Kw Dynabeam with Boomerang
3x Reich & Vogul Scene Machine w. all accessories
1x Meator ProBeam Wiggle Light
2x 2Kw Century Lekolight 8x16 Radial Leko
1x early 1920's ?Kliegl Ovalite
1x Chicago Stage Lighting 6" PC
1x Major Stage Lighting 6" PC
2x Strand 1960's PAR 64
2x Grand Stage 6x? Fluted ERS
2x Grand Stage 6" Fluted Fresnel
1x Century 6" Fresnel
1x Kliegl 2.3/8" RSC based Fresnel
2x Kliegl 2.3/8" RSC based 3x5Q5 ERS
1x Altman 6" model 65 Fresnel
1x ? Brand 6" Fresnel
1x Display Stage Lighting medium screw based 6" Fresnel
6x Display Stage Lighting 4.5" Box Spot (4x modified to MR-16 base)
1x Major 4.5" Box Spot
1x Kliegl 4.5" Box Spot
1x ? Brand 4.5" Box Spot
1x Altman 1KAF-MBP
1x 4.5" Bantam Superspot in PC mode
4x Altman 100 3" Fresnel
Amongst other Halo PAR 46 thru various other track lighting and other fixtures at times also unknown of brand and misc. type. Lots of other smaller lighting including Juno lights lighting the chop saw or modified ones for strobe or a #4556 PAR 64 ACL with internal transformer. Packages of track lights bout as discontinued etc. not yet opened & always on the market for more.
A bit harder to light a show with the gear I currently have but could still do dependant on the situation. Less for me though modern inventory than personal interesting inventory at this point. At work sure what ever from 50 degree Leko to the latest LED or mover.. Mostly could care less about such gear that will change in flavor next year. Still got some Altman 6-30Q fixtures in my non-existing inventory I now store as with such things as single cell PAR 36 Mole audience blinders, some 360 and 360Q plus some ten degree Century Lekos and lots of other gear including even two Altman 65Q’s that don’t exist in active inventory. This amongst a few antiques etc. Just prepping in the past week some Mole Richardson 2Kw MoleEllipsos for rental on a commercial shoot. Have not been used in at least eight years, good to see them going out again especially given nobody knew if they still existed before I was contacted as to if it was so. Lots of obsolete off inventory gear I manage that is relly cool including even the last two AF-1000 strobe lights given as with the rest of the gear I manage, the bulk of it was long sense sold off. That's a fun position to have - the non-existing stock. My carrot on a stick as to from steel PAR can fixing to when I will get a chance to re-wire and support the Colortran cyc lights or TMB black lights, when they might yet go back into active service once given time to totally redoo. Century cyc lights or TMB black light wash lights amongst other gear... need total rehab and are long term TBA in being ready or service again amongst other gear.


Mole 2Kw Ellipsoidals are a fun project, remove the origional mid-70's asbestos wiring and re-wire, send the lenses to the dish washer and find some crap still on the lenses (could be other than baked on pyoro dust..) hand scrape off and re-clean the lenses, sand blast the fixtures for what is peeling in paint in getting a nice fiinish and re-paint, find out two of three in three gate baffles are missing than have to make them from scratch but in general a piece of cake. Given the wide air space between gate and plates and thick shutters easy to re-surface should be a joy of a project to do. This until attempting to three screw bench focus the lamps. That won't be a joy given filament size and hole in the reflector in attempting to do the best by way of the fixture. That bench focus I don't look forward to. Still though going out on a rental next week for the first time in eight years, and a video shoot they will be seen on. My non-existing gear department sideline is a good thing in it saves the gear that in the past will have been dumpster dive and or properly gives care to gear that ain't servicable. Love such projects but on the other hand talk to me later once I attempt to bench focus the big heavy Lekos.
 
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S4 36 degree qty 2
S4 15-30 zoom qty 2 with irises
strand leko 6*9 qty 2 with 6*12 lens tubes
Colortran Mini zoom qty 2
Colortran mini ellipse qty4
CCT 26 to 50 degree zoom qty 2
colortran 15 to 30 degree zooms qty 4
colortran 5-50 with lenses and donuts qty 15 two with built in irises
strand patt 23 qty 6 plus qty 1 patt 23N lens tubes and one iris
strand patt 243 2kw fresnels qty 2
strand patt 743 1kW fresnels qty 2
FE Lighting 1kW fresnels qty 6
FE Lighting 750W fresnels qty 14
Strand Patt 123 fresnels qty 2
3 inch fresnels qty 2
PAR 64 qty 20
PAR 56 qty 14
PAR 38 qty 14
PAR 16 qty 2 lamped at 100W 115V lamps
Par 16 par bars ten per bar qty 2
500W floods qty 8
pin spots qty 3
UV four foot tubes

mirror ball, strobe, fog and haze

various control boards, 76 channels of dimming one Altman Dynaspot

oh and a partridge in a pear tree.

This is what happens when a hobby gets out of control
 
What's your inventory?

I'm at a 592 seat school/community auditorium in Door County, Wisconsin. Here's what we currently have:

We have a Strand CD-80 rack (96 dimmers) w/ a ETC Express 24/48 board.

6 - Source 4, 19 deg.
30 - Source 4, 26 deg.
8 - Source 4, 36 deg.
10 - Source 4, 50 deg.
28 - Strand 6x12
12 - Strand 6x16
7 - Strand 6x22
3 - 360Q 6x9
19 - 360Q 6x12
9 - 360Q 6x16
20 - Altman 1KAF 6" Fresnel
11 - Altman 65Q 6" Fresnel
4 - Altman 3-circuit, 3-light Ground Cyc
4 - Altman 3-circuit, 3-light Sky Cyc
2 - Clay Paky StageScans
2 - Apollo Right Arms
24 - Apollo Smart Color Scrollers
1 - Diversitronics Strobe Light
1 - Elation black light
 
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At Kanata Theatre; Plenty, (ask Sk8trsdad for more detailed info, have no clue! :grin:)

thelightmaster-albums-misc-picture3224-plot-edwina.jpg
This is from my latest masterpiece Dear Edwina. Ignore the legend because I ran out of time to color code everything. There were at least 10 instruments still unused!

At Suzart; not enough! We use 6 strand lekos (30 degree, or 20, depends what's working, We rent a high school. Means excessive shutter cuts,:rolleyes: Oh well.)for warm fronts from the FOH catwalk, 3 Leko Zooms for cools from the FOH,
3 20 degree Berkey Colortrans in each box boom, 6 Fresnelites as fronts from LX1, Two Fresnelites as tips on LX1, Same on LX2, except we use Mystery Fresnels (Unidentifiable 10" fresnels) as tips instead of Fresnelites, LX3; Floods for tips and Mystery Fresnels as specials on whatever circuits work (LX3 is practically unwired, save a few circuits.), and Homemade blinders used as cyc lights on LX4. That leaves us a few spare ellipsoidals for specials. We also have two rented follow spots in the booth. Everything is run off an Express 48/96 (I mean everything!!:rolleyes:). Dimmers are 96 Sensor dimmers with a Non-Dim circuit hovering about somewhere.
 
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At my main venue, which is a multipurpose, concert/conference/and student lounge/coffee shop venue.

Smartfade ML
Chamsys MagicQ PC
ETC Smartpack 12ch 1.2k
4 S4 19degrees
1 Rosco ImagePro
2 ETC Parnels
14 ETC S4 Par
1 Altman 360 6 x 9
8 Martin RoboColor 3
2 Chauvet ColorTrack3
2 Microh LED Bar 2
4 Microh LEDP64(K/S)DII
1 Jem 24/7 Hazer
4 Martin 250 Entours
1 Elation 4 ch Dimmer.

More about the other venues when I actually remember what i've got around.
 
Ship’s Inventory:
1) Kliegl #1N, Nitrogen Olivette c. 1916-1922; Shoe horn Rosette Stand mount, 1Kw Mog. Screw PS-52,
1) Chicago Stage Lighting 6” PC Spotlight c. 1920’s; 2Kw Mog. Screw
1) Major Lighting 6” PC Spotlight c.1926 (Shortened Modification from 1960's); 1Kw Mog. Screw
1) Golde Manufacturing Company, Bantam Superspot 4.1/2” PC Spotlight c.1954; 500w P-28s
2) Century #1560 8x10 Leko Light c. 1948+; 2Kw G-38
1) Century 8” Leko 8x16? #1577? c. Mid-Late 1950’s – 1960’s; 1Kw P-28s (can be 500w) {Past employee’s fixture left behind.}
2) Grand Stage 6x9 Leko w. brass/bronze color aluminum fluted side plates c. late 1960's; 500w P-28s
1) Kliegl #1340 3.1/2x5 Leko c.1971; 400w RSC double ended base
1) Kliegl #1341 3.1/2x6 Leko c.1971; 400w RSC double ended base
4) Capitol Stage Lighting 4.1/2” Box Spot c. 1920’s (MR-16 Upgrade); 50w/12v MR-16 G-5.3
2) Capitol Stage Lighting 4.1/2” Box Spot c. 1920’s ; 400w Med. Screw
1) Kliegl #53 4.1/2” Box Spot c. 1920’s ; 400w Med. Screw
1) Kliegl #55 4.1/2” Box Spot w. Oval Beam Fresnel lens upgrade c. 1926-1936 w. Rosettte side mount bracket; 400w Med. Screw. (Not in Kliegl Brother’s Published catalogues by lens type or side mount. Possibly once part of a strip light group of box spot assembly. Could be a #53 with un-listed side mount and is a c. +1956 4.1/2" Non-Kliegl Oval Beam Kopp glass Lens as a replacement lens.)
1) Century Rear Crank style 8" Fresnel c. 1967 or before; 1Kw P-40s
1) Century Rear Crank style 6" Fresnel c. 1967 or before; 500w P-28s
2) Misc. (Non-Altman Unknown brand) 6” Fresnel c.1940’s-late 1960's; 500w P-28s
1) Kliegl or Major 6" Fresnel c. 1964, has RSC double ended base
1) Altman 1KAL 6" Fresnel c. mid- 1980's; 1Kw P-28s
3) Grand Stage 6" Fresnel w. brass/bronze color aluminum fluited side plates c. late 1960's; 500w P-28s
1) Display Stage Lighting or Giraffe Lighting, 6” Fresnel round shape c. 1930's - 1940’s; E-26 Med. Screw
4) Altman 3" Fresnels "Inkies". 150w BA-15d.
1) Altman 3" Fresnel "Inkie". 100w BA-15s. base modified to BA-15d.
2) Strand #8736 PAR 64 c. ?1967; 500 EMEP
1) SeeFactor Rain Light PAR 64ACL c. ?early 1970's from the Neil Diamond tour, - (See Nook's TBA article on ACL lighting in PLSN); Lamp:120PAR64/VNSP(6V. - ACL.) Sylvania #14987
1) Mole Richardson #5711 One-Light Molefay c. early 1970's; 650w PAR 36 with FGK lamp.
1) Mole Richardson #5721 Two-Light Molefay c. early 1970's; 650w PAR 36 with FAY lamps.
2) Mole Richardson #2941 Mole Quartz 2K NookLight c. early 1970's w. barndoor; 100w lamp (Modified from 2Kw. )
1) Kliegl Dyna Beam Follow Spot w. Boomerang c. 1950-1962; 3Kw G-38.
Various other less antique lights... or modified fixtures...


Ship's/Work’s Inventory: (Given to me and work & yet to work on.)
3) Reiche & Vogul Linnebach Projectors “Leuchtkunst” c. 1960’s; P-48s (U/K lamp). (Lots of special effects features in stock) {NIU gave these fixtures to me/Work, - a some day special project for Another Employee that used such things on tour and I to service them and bring them up to factory spec.}


Someone at Work’s Personal Inventory - not in stock but TBA assuming enough space:
+2) Carbon Arc Long Throw Follow Spot - larger than a Lycian 1290 {Unknown further info}

Shop Inventory: (Beyond active or tracked stock and of interest as antique - My stash of gear non-tracked.)
3) Mole Richardson #8021 8” Molelipso 8x21 degree c. 1970’s; 2Kw G-38
x) Mole Richardson 1Kw-10Kw Mole Richardson Fresnels some Modified for LED. ?age.
1) 8” Berkey Colortran 8x10° Leko 5 degree c. late 1970’s; (needs Work = spare parts) FEL
1) Mole Richardson #5711 One-Light Molefay c. early 1970's; 650w PAR 36 with FAY lamp.
4) Mole Richardson #5581 Four-Light Molefay c. early 1970's; 650w PAR 36 with FAY lamp.
x) Mole Richardson #5591 Six-Light Molefay c. early 1970's; 650w PAR 36 with FAY lamp.
x) Mole Richardson #5541 Nine-Light Molefay c. early 1970's; 650w PAR 36 with FAY lamp.
1) Mole Richardson #5761 Six-Light Molepar c. early 1970's; 1.2Kw PAR 64 GFA lamp.
1) Altman #65, 6" Fresnel c. late 1970's - Altman Olive Drab; 575w BTH lamp (Can be 500w BTN).
1) Altman #65, 6" Fresnel c. late 1960's - Altman Texture Black; 575w BTH lamp (can be 500w BTN).
3) Altman #360 6x9 Leko c. early 1970's - Altman Olive Drab; 500w EGE lamp.
1) Altman #360 4.1/2x6 Leko c. early 1970's - Altman Olive Drab; 500w EGE lamp.
3) Altman #360Q 6x16 Leko c. mid-late 1970's - Altman Olive Drab; 750w GLE lamp ((Other Lens Train Options Available & in stock 4.5Q6-6x22 & TBA changes for the Museum.)

Owner’s Inventory @ shop:
1) Mole Richardson #2046 8” Fresnel on stand c. -1936’s; 2Kw G48/18 ANSI type DVF G-38
2) Strand Patt. #73 6” PC/Leko c.1936; “1,000w Class A1 Tubular or Class B1 Round Bulb.” 8" Silvered Morror. 1Kw, Type 43 tray, Horizontal & Vertical Shutters, 1Kw Class A1 Tubular or Class B1 Round Bulb Projector Lamp. Base type ES or GES Mogul Edison Screw. Type B1 = 190mm OAL, 130mm Dia. LCL of 115mm; Class A1 = 240mm OAL, 64mm Dia., LCL of 120mm.

And Yes TBA in the next week or so I will be finally hanging a museum of antiques - as soon as I get done sorting the bolt bins. This will include full histories about all in the exhibit above and further period catalogue info for each. Gonna be a start of a great museum. Also, assuming it's a good start... TBA it's further expansion by way of me or work doing so. Got a lot of support from work at this point in doing so and that's a good thing.
 
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And Yes TBA in the next week or so I will be finally hanging a museum of antiques - as soon as I get done sorting the bolt bins. This will include full histories about all in the exhibit above and further period catalogue info for each. Gonna be a start of a great museum. Also, assuming it's a good start... TBA it's further expansion by way of me or work doing so. Got a lot of support from work at this point in doing so and that's a good thing.

Congratulations, that is simply, awesome! I am incredibly envious.
 
My new place has an inventory that is shared by a small black box, a large black box and a medium sized proscenium arch theatre.
I added it all up last week and it's a bit overwhelming. I started teaching years ago with literally nothing so I know what that feels like too. I understand how lucky I am. Even so, I think this arsenal requires some control that's a bit more robust...

Source 4 (various focal lengths) - 166
Source 4 Zoom 25-50 - 30
Parnel - 66
Altman 6" Fresnel - 30
PAR 64 - 30
Cyc Cells - 6
Altman Voyagers - 2
Apollo Smart Color Scrollers - 16
Elation ELED TRI 64B - 8
Studio Spot 575 CYM - 15
Studio Color 575 - 15

ETC Express 48/96 with Emphasis Server
ETC Express 24/48
ETC Smartfade
 
Well, if you cant get a new controller, Feel free to send over anything thats taking up more than one channel, as I have plenty of channels to spare for that kind of thing, and none of those things to use them all on. :D
 
Finally got done as a deal this museum after the Eric Clapton / Crossroads Fendor vendor tent requested some antique fixtures so as to match up with the rest of the antique guitars etc. in the tent. Who ya gonna call... Finally got done after a few other times requested for my fixtures in the past year... Want my Kliegl Dyna Beam.. really it does belong to me and you need to ask me before you can use it. This much less given it has a bench focused origional 3Kw incancandescent lamp in it... no you cannot use it for your show.

There was costs in making antique fixtures into working for a show fixtures. From the Dyna-Beam that took about a 4" extension of screws to it's base to make modern lamped (and got really, really close to proper bench focus for it after a lot of tinkering, - and a lot of paid man/hours so as to do so, to having to figure out just how to safely bench focus a Century #1568 once re-lamped for 1Kw, to etc. A lot of work for my "You Want What" as most properly described electrical department at work, to work on, this much less my own time in prepping and making the stand light - this given no parts for it are available on the market thus fabrication and even drilling and tapping for 1.1/4" NPT which ain't easy on a cast antique but surplus Major also antique stand. Many coats of paint on the elder fiture's reflector, even dulling spray on the outside of it so as not to gloss too much. Some fixtures were fine given a clenaning, others needed a lot of work. Museum... much of it is done now, though a further inventory of gear to be cleaned and now ready, or fixtures that need huge service calls. Still a good "carrot on a stick" for me in getting to them as opposed to just storing them away. The 8" Leko some past employee left behind took a few hours to re-wire and bench focus itself once clear he no-longer wanted it. Offered him like $45.00 for it as fair price... left it behind when he quit about a year ago. Spent at least that in time and parts in re-wiring it. Want it... come clame it. Will give it back, given the cost and labor of making it current and safe + storage fees given it was abandoned over a year ago. Might just give it back as re-wired... depends on mood and asking for it. Not his persay, he no doubt got it from his past High School Theatere and has not asked for it since I snipped the asbestos whip upon site, gave him a price and didn't accept it... yet never asked for his fixture back once evaluated. Mine now... TBA some day his if he requests it. One would think after a week or month he would take back the fixture he wanted me to buy as presented and not acceptable for price in buying. One would also think after over a year since he quit, that he might request his fixture back. Storage fee's, me re-wiring it etc.... Good debate if his or mine at this point. I cannot allow a health risk thus snipped cable, and after a year of free storage to a non-employee, and with no contact by him since about it... it got re-wired as classic fixture he had no idea about and now is up to current factory standards for specification. Perfect working condition.... Good debate on if his, mine or work's at this point.



Many such fixtures as it were my antiques for a show, and the details not becoming finilized until only one week before the show - this in me asking. Once my fixtures got to the shop/show and out of my garage... they stay there. No rental price for the fixtures, I want my single car garage back and a Museum at work in exchange. TBA with hanging the pipe and safety cabling the ovalitte stand mount in it's new location. Gotta sort a lot of bolts and re-organize them. Carrot on a stick in getting it done. The antique's museum is approved, just gotta sort a lot of bolts before it gets hung. Than work on the fixture history pages etc. hung under them as per museum of lighting.

Dissappointed that for this show of antiques... neither anyone from the production asked the owner of the company to borrow his Very old and unique B-Pin Fresnel from Mole Richardson. Was just kind of a thing I told them to ask so as to borrow but also that before use, I would have to remove the asbestos from. Expect that there is very few examples of a Bi-pin Fresnel fixture out there at this point. Some medium screw 400G30/SP versions pre-dating them and I have one, but no bi-pin Fresnel examples otherwist as common. This is a unique and important fiture that the owner owns and is spectacular for display - still in the front lobby at the shop, but still also Asbestos in wiring. Show didn't request the fixture, and given the owner of the company is "temermental" as it were... used to chat directly with him but now I and all of us now go thru channels of people to chat with him, I asked the Faculties' Manager in expressing what would need to be done with the fixture, and in touching the 'Owner's gear, did I have permission to re-wire it, and or did the show have permission to use it.... Answer was nope' Nobody asked and it's at times tempermental in asking the companie's owner if we can use his gear without notice. Won't even ask him - no you cannot display his gear in a tent that he will be visiting.

Ok... Fair enough... glad I asked in not touching his gear or making it safe. Punt... a few different and if even older Fresnels to replace this one wanted at the last minute. TBA next time I speak to one of the owner's... Used to know me by name in direct visits, but these days... thru channels.



Anyway... the Museum is gonna get hung finally. That's a good thing. All in the mesuem are re-wired and safe to use. Fully researched with lots of time in doing so as above says I think. Photo's TBA.
 
Finally got done as a deal this museum after the Eric Clapton / Crossroads Fendor vendor tent requested some antique fixtures so as to match up with the rest of the antique guitars etc. in the tent. Who ya gonna call... Finally got done after a few other times requested for my fixtures in the past year... Want my Kliegl Dyna Beam.. really it does belong to me and you need to ask me before you can use it. This much less given it has a bench focused origional 3Kw incancandescent lamp in it... no you cannot use it for your show.

There was costs in making antique fixtures into working for a show fixtures. From the Dyna-Beam that took about a 4" extension of screws to it's base to make modern lamped (and got really, really close to proper bench focus for it after a lot of tinkering, - and a lot of paid man/hours so as to do so, to having to figure out just how to safely bench focus a Century #1568 once re-lamped for 1Kw, to etc. A lot of work for my "You Want What" as most properly described electrical department at work, to work on, this much less my own time in prepping and making the stand light - this given no parts for it are available on the market thus fabrication and even drilling and tapping for 1.1/4" NPT which ain't easy on a cast antique but surplus Major also antique stand. Many coats of paint on the elder fiture's reflector, even dulling spray on the outside of it so as not to gloss too much. Some fixtures were fine given a clenaning, others needed a lot of work. Museum... much of it is done now, though a further inventory of gear to be cleaned and now ready, or fixtures that need huge service calls. Still a good "carrot on a stick" for me in getting to them as opposed to just storing them away. The 8" Leko some past employee left behind took a few hours to re-wire and bench focus itself once clear he no-longer wanted it. Offered him like $45.00 for it as fair price... left it behind when he quit about a year ago. Spent at least that in time and parts in re-wiring it. Want it... come clame it. Will give it back, given the cost and labor of making it current and safe + storage fees given it was abandoned over a year ago. Might just give it back as re-wired... depends on mood and asking for it. Not his persay, he no doubt got it from his past High School Theatere and has not asked for it since I snipped the asbestos whip upon site, gave him a price and didn't accept it... yet never asked for his fixture back once evaluated. Mine now... TBA some day his if he requests it. One would think after a week or month he would take back the fixture he wanted me to buy as presented and not acceptable for price in buying. One would also think after over a year since he quit, that he might request his fixture back. Storage fee's, me re-wiring it etc.... Good debate if his or mine at this point. I cannot allow a health risk thus snipped cable, and after a year of free storage to a non-employee, and with no contact by him since about it... it got re-wired as classic fixture he had no idea about and now is up to current factory standards for specification. Perfect working condition.... Good debate on if his, mine or work's at this point.



Many such fixtures as it were my antiques for a show, and the details not becoming finilized until only one week before the show - this in me asking. Once my fixtures got to the shop/show and out of my garage... they stay there. No rental price for the fixtures, I want my single car garage back and a Museum at work in exchange. TBA with hanging the pipe and safety cabling the ovalitte stand mount in it's new location. Gotta sort a lot of bolts and re-organize them. Carrot on a stick in getting it done. The antique's museum is approved, just gotta sort a lot of bolts before it gets hung. Than work on the fixture history pages etc. hung under them as per museum of lighting.

Dissappointed that for this show of antiques... neither anyone from the production asked the owner of the company to borrow his Very old and unique B-Pin Fresnel from Mole Richardson. Was just kind of a thing I told them to ask so as to borrow but also that before use, I would have to remove the asbestos from. Expect that there is very few examples of a Bi-pin Fresnel fixture out there at this point. Some medium screw 400G30/SP versions pre-dating them and I have one, but no bi-pin Fresnel examples otherwist as common. This is a unique and important fiture that the owner owns and is spectacular for display - still in the front lobby at the shop, but still also Asbestos in wiring. Show didn't request the fixture, and given the owner of the company is "temermental" as it were... used to chat directly with him but now I and all of us now go thru channels of people to chat with him, I asked the Faculties' Manager in expressing what would need to be done with the fixture, and in touching the 'Owner's gear, did I have permission to re-wire it, and or did the show have permission to use it.... Answer was nope' Nobody asked and it's at times tempermental in asking the companie's owner if we can use his gear without notice. Won't even ask him - no you cannot display his gear in a tent that he will be visiting.

Ok... Fair enough... glad I asked in not touching his gear or making it safe. Punt... a few different and if even older Fresnels to replace this one wanted at the last minute. TBA next time I speak to one of the owner's... Used to know me by name in direct visits, but these days... thru channels.



Anyway... the Museum is gonna get hung finally. That's a good thing. All in the mesuem are re-wired and safe to use. Fully researched with lots of time in doing so as above says I think. Photo's TBA.

Is this place going to be somewhere you can visit? Next time Im in chicago (end of the summer), I would love to stop by and see it. Sounds facinating. Also, are you gonna have a S4 in there just to show how far we have come?
 
Well, if you cant get a new controller, Feel free to send over anything thats taking up more than one channel, as I have plenty of channels to spare for that kind of thing, and none of those things to use them all on. :D
We can trade. As soon as you send me some channels, I'll send you some lights. :lol:
 

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